{"id":11911,"date":"2026-03-10T13:02:44","date_gmt":"2026-03-10T11:02:44","guid":{"rendered":"https:\/\/xarxa.museunacional.cat\/nothing-is-as-it-seems\/"},"modified":"2026-03-31T09:40:33","modified_gmt":"2026-03-31T07:40:33","slug":"nothing-is-as-it-seems","status":"publish","type":"page","link":"https:\/\/xarxa.museunacional.cat\/en\/nothing-is-as-it-seems\/","title":{"rendered":"Nothing is as it seems"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; bg_type=&#8221;bg_color&#8221; z_index=&#8221;&#8221; bg_color_value=&#8221;#000000&#8243; css=&#8221;.vc_custom_1746632125762{background-color: #000000 !important;}&#8221; anchor=&#8221;hero&#8221;][vc_column][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner][vc_empty_space height=&#8221;368px&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221; el_class=&#8221;color-blanc m3-bottom-res&#8221;]<\/p>\n<h1>Nothing is as it seems<\/h1>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 264px; top: 112.438px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner][vc_empty_space height=&#8221;190px&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; bg_type=&#8221;grad&#8221; css=&#8221;.vc_custom_1740590072551{margin-top: -95px !important;}&#8221; z_index=&#8221;&#8221; bg_grad=&#8221;background: -webkit-gradient(linear, left top, left bottom, color-stop(0%, #000000), color-stop(20%, #000000), color-stop(21%, #FFFFFF), color-stop(60%, #FFFFFF));background: -moz-linear-gradient(top,#000000 0%,#000000 20%,#FFFFFF 21%,#FFFFFF 60%);background: -webkit-linear-gradient(top,#000000 0%,#000000 20%,#FFFFFF 21%,#FFFFFF 60%);background: -o-linear-gradient(top,#000000 0%,#000000 20%,#FFFFFF 21%,#FFFFFF 60%);background: -ms-linear-gradient(top,#000000 0%,#000000 20%,#FFFFFF 21%,#FFFFFF 60%);background: linear-gradient(top,#000000 0%,#000000 20%,#FFFFFF 21%,#FFFFFF 60%);&#8221;][vc_column css=&#8221;.vc_custom_1739708113171{margin-top: -95px !important;}&#8221;]<div id=\"ult-carousel-46401013969f54badb663c\" class=\"ult-carousel-wrapper  carrusel_comisariat_besties ult_horizontal\" data-gutter=\"10\" data-rtl=\"false\" ><div class=\"ult-carousel-345778489769f54badb6584 \" ><div class=\"ult-item-wrap\" data-animation=\"animated no-animation\"><div class=\"qode-info-card\">\n\t\t\t<div class=\"qode-info-card-image\" style=\"background-color:#fff\">\n\t\t\t<img decoding=\"async\" src=\"https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/4.5.Nicolas-franco.jpg\" alt=\"\" \/>\n\t\t<\/div>\n\t\t<div class=\"qode-info-card-text-holder\" style=\"background-color:#fff\">\n\t\t\t\t\t<h6 class=\"qode-info-card-title\" >\n\t\t\t\tNicola\u0301s Marti\u0301nez Lage, NIKO. &lt;em&gt;Francisco Franco&lt;\/em&gt;.1950-1981. Retolador sobre cartolina, 31,5 x 23,4 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 1053 Donaci\u00f3 de la Fam\u00edlia Mart\u00ednez Andrea, 1993   \t\t\t<\/h6>\n\t\t\t\t\t<\/div>\n\t<\/div><\/div><div class=\"ult-item-wrap\" data-animation=\"animated no-animation\"><div class=\"qode-info-card\">\n\t\t\t<div class=\"qode-info-card-image\" style=\"background-color:#fff\">\n\t\t\t<img decoding=\"async\" src=\"https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/7.LA-CARITAT_1.jpg\" alt=\"\" \/>\n\t\t<\/div>\n\t\t<div class=\"qode-info-card-text-holder\" style=\"background-color:#fff\">\n\t\t\t\t\t<h6 class=\"qode-info-card-title\" >\n\t\t\t\tCharity. DHUB Barcelona \t\t\t<\/h6>\n\t\t\t\t\t<\/div>\n\t<\/div><\/div><div class=\"ult-item-wrap\" data-animation=\"animated no-animation\"><div class=\"qode-info-card\">\n\t\t\t<div class=\"qode-info-card-image\" style=\"background-color:#fff\">\n\t\t\t<img decoding=\"async\" src=\"https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/1.La-Policia_Pellicer_escorcoll.jpg\" alt=\"\" \/>\n\t\t<\/div>\n\t\t<div class=\"qode-info-card-text-holder\" style=\"background-color:#fff\">\n\t\t\t\t\t<h6 class=\"qode-info-card-title\" >\n\t\t\t\tJosep Llui\u0301s Pellicer. &lt;em&gt;A police search&lt;\/em&gt;, 1886. Museu Nacional d\u2019Art de Catalunya \t\t\t<\/h6>\n\t\t\t\t\t<\/div>\n\t<\/div><\/div><div class=\"ult-item-wrap\" data-animation=\"animated no-animation\"><div class=\"qode-info-card\">\n\t\t\t<div class=\"qode-info-card-image\" style=\"background-color:#fff\">\n\t\t\t<img decoding=\"async\" src=\"https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/lluitadores.jpg\" alt=\"\" \/>\n\t\t<\/div>\n\t\t<div class=\"qode-info-card-text-holder\" style=\"background-color:#fff\">\n\t\t\t\t\t<h6 class=\"qode-info-card-title\" >\n\t\t\t\tEsther Remacha. &lt;em&gt;Fighters of the land 3&lt;\/em&gt;, 1976-1977. Fotografia en blanc i negre, 30 x 40 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 5022. Dip\u00f2sit de la Generalitat de Catalunya. Col\u00b7lecci\u00f3 Nacional de Fotografia, 2022     \t\t\t<\/h6>\n\t\t\t\t\t<\/div>\n\t<\/div><\/div><div class=\"ult-item-wrap\" data-animation=\"animated no-animation\"><div class=\"qode-info-card\">\n\t\t\t<div class=\"qode-info-card-image\" style=\"background-color:#fff\">\n\t\t\t<img decoding=\"async\" src=\"https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/10.La-preso\u0301_9a_FJM-04767_1.jpg\" alt=\"\" \/>\n\t\t<\/div>\n\t\t<div class=\"qode-info-card-text-holder\" style=\"background-color:#fff\">\n\t\t\t\t\t<h6 class=\"qode-info-card-title\" >\n\t\t\t\tJoan Mir\u00f3. &lt;em&gt;The hope of a condemned man I&lt;\/em&gt; Fundaci\u00f3 Joan Mir\u00f3.u b\/n, 35 mm. Museu d\u2019Art Contemporani de Barcelona (R.6346, 1963).\t\t\t<\/h6>\n\t\t\t\t\t<\/div>\n\t<\/div><\/div><div class=\"ult-item-wrap\" data-animation=\"animated no-animation\"><div class=\"qode-info-card\">\n\t\t\t<div class=\"qode-info-card-image\" style=\"background-color:#fff\">\n\t\t\t<img decoding=\"async\" src=\"https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/kiss.png\" alt=\"\" \/>\n\t\t<\/div>\n\t\t<div class=\"qode-info-card-text-holder\" style=\"background-color:#fff\">\n\t\t\t\t\t<h6 class=\"qode-info-card-title\" >\n\t\t\t\tJoan Rabascall. &lt;em&gt;Atomic Kiss&lt;\/em&gt;.1968 Acr\u00edlic sobre tela 162 x 97 cm Col\u00b7lecci\u00f3 MACBA. Dip\u00f2sit de l&#039;Ajuntament de Barcelona \u00a9 Joan Rabascall, VEGAP, Barcelona \t\t\t<\/h6>\n\t\t\t\t\t<\/div>\n\t<\/div><\/div><div class=\"ult-item-wrap\" data-animation=\"animated no-animation\"><div class=\"qode-info-card\">\n\t\t\t<div class=\"qode-info-card-image\" style=\"background-color:#fff\">\n\t\t\t<img decoding=\"async\" src=\"https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/3.Lart_3_Ferrer-Miro\u0301_1.jpg\" alt=\"\" \/>\n\t\t<\/div>\n\t\t<div class=\"qode-info-card-text-holder\" style=\"background-color:#fff\">\n\t\t\t\t\t<h6 class=\"qode-info-card-title\" >\n\t\t\t\tJoan Ferrer Mir\u00f3. &lt;em&gt;Public Exhibition of a Picture&lt;\/em&gt;. Museu Nacional d\u2019Art de Catalunya \t\t\t<\/h6>\n\t\t\t\t\t<\/div>\n\t<\/div><\/div><div class=\"ult-item-wrap\" data-animation=\"animated no-animation\"><div class=\"qode-info-card\">\n\t\t\t<div class=\"qode-info-card-image\" style=\"background-color:#fff\">\n\t\t\t<img decoding=\"async\" src=\"https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/5.Loposicio\u0301_5_Pons_2.jpg\" alt=\"\" \/>\n\t\t<\/div>\n\t\t<div class=\"qode-info-card-text-holder\" style=\"background-color:#fff\">\n\t\t\t\t\t<h6 class=\"qode-info-card-title\" >\n\t\t\t\tPons. &lt;em&gt;Lina O\u0301dena&lt;\/em&gt;. Museu Nacional d\u2019Art de Catalunya \t\t\t<\/h6>\n\t\t\t\t\t<\/div>\n\t<\/div><\/div><\/div><\/div>\t\t\t<script type=\"text\/javascript\">\n\t\t\t\tjQuery(document).ready(function ($) {\n\t\t\t\t\tif( typeof jQuery('.ult-carousel-345778489769f54badb6584').slick == \"function\"){\n\t\t\t\t\t\t$('.ult-carousel-345778489769f54badb6584').slick({dots: true,autoplay: true,autoplaySpeed: \"5000\",speed: \"300\",infinite: true,arrows: true,nextArrow: '<button type=\"button\" role=\"button\" aria-label=\"Next\" style=\"color:#333333; font-size:20px;\" class=\"slick-next default\"><i class=\"ultsl-arrow-right6\"><\/i><\/button>',prevArrow: '<button type=\"button\" role=\"button\" aria-label=\"Previous\" style=\"color:#333333; font-size:20px;\" class=\"slick-prev default\"><i class=\"ultsl-arrow-left6\"><\/i><\/button>',slidesToScroll:4,slidesToShow:4,swipe: true,draggable: true,touchMove: true,pauseOnHover: true,pauseOnFocus: false,centerMode: true,adaptiveHeight: true,responsive: [\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1026,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 4,\n\t\t\t\t\t\t\t\tslidesToScroll: 4,  \n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1025,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 760,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t}\n\t\t\t\t\t\t],pauseOnDotsHover: true,customPaging: function(slider, i) {\n                   return '<i type=\"button\" style= \"color:#333333;\" class=\"ultsl-radio-unchecked\" data-role=\"none\"><\/i>';\n                },});\n\t\t\t\t\t}\n\t\t\t\t});\n\t\t\t<\/script>\n\t\t\t[\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221;][vc_column][vc_separator type=&#8221;normal&#8221; thickness=&#8221;1&#8243; up=&#8221;94&#8243; color=&#8221;#000000&#8243; down=&#8221;64&#8243;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1739778989055{margin-bottom: 94px !important;}&#8221;][vc_column width=&#8221;1\/2&#8243;]<div class=\"comissionariat-title color-negro orientation-false\" style=\"\" id=\"museums-power-and-dissent\">\n        <h2 class=\"fade-in\">MUSEUMS: POWER AND DISSENT<\/h2><\/div>    <div class=\"block_quote color-negro fade-in\">\n        <div class=\"image_holder\">\n                <\/div>\n        <div class=\"block_quote_content\">\n                            <p class=\"title\">Joan Maria Minguet Batllori<\/p>\n                                    <div class=\"social-links\">\n                                                                                                                            <\/div>\n        <\/div>\n    <\/div>\n    [\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;&#8221;]Images don\u2019t speak for themselves. By drawing an interesting interpretation of \u201cSchr\u00f6dinger\u2019s Cat\u201d paradox by the famous physicist, we could say works of art do not exist until someone observes them. And asks questions about them. If there are no questions, and we accept that this image has the autonomous power to explain itself, we turn the observer into a mere hostage. And art into cosmetics.    <\/p>\n<p>Images don&#8217;t speak for themselves; they respond to the questions we ask them at every moment and in every context. Under the guise of neutrality, museums are an institutional context which politically level all messages, all interpretations, both successive and contemporary, that images can offer. In museums, time stops and becomes controlled by the institution. Even if, sometimes, the institution doesn\u2019t aim to do so.   <\/p>\n<p>This project proposes certain readings based on the hypothesis that it is impossible for a museum to be neutral. We aim to highlight a series of works coming from the Xarxa de Museus d\u2019Art de Catalunya that call for the observer to choose an interpretation: between power and dissent, and between exercising power and the art that has been critical of it. It\u2019s time for the observer to take the lid off the box and decide whether Schr\u00f6dinger\u2019s cat is alive or dead.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; css=&#8221;.vc_custom_1774433770254{padding-top: 120px !important;padding-bottom: 0px !important;background-color: #000000 !important;}&#8221; z_index=&#8221;&#8221; el_class=&#8221;row-reverse-res&#8221;][vc_column width=&#8221;1\/2&#8243;]<div class=\"comissionariat-title color-blanco orientation-false\" style=\"\" id=\"exercising-power-those-who-rule-and-those-who-have-ruled\">\n        <h2 class=\"fade-in\">EXERCISING POWER. THOSE WHO RULE AND THOSE WHO HAVE RULED <\/h2><\/div>[vc_column_text css=&#8221;.vc_custom_1773141562769{margin-bottom: 40px !important;}&#8221; el_class=&#8221;font-gran color-blanc fade-in&#8221;]Museum halls are littered with traces of those who have ruled. As well as of those who rule. These are located in the halls or, if the leaders have fallen into disgrace, in the vaults. In reality, some images are confusing. What are these works doing there? Some of the purposes for which they were created, whether for or against power, may have faded over time. The representation of power has traditionally been submissive, but the images depend on the observer\u2019s gaze.     <\/p>\n<p>The vaults of Catalan museums, for example, contain coins, busts and portraits of the dictator Franco. Certain ideologies may seek to reclaim these images to assert the fascism they represent. Looking back even further, we find even more rulers. We keep finding even more rulers, from here or elsewhere, whether real or imaginary. What can we do with so much feverish power, with what they represent, with the artists who made these designs, with us, who look at them?[\/vc_column_text][\/vc_column][vc_column width=&#8221;2\/12&#8243;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11336&#8243; img_size=&#8221;390&#215;800&#8243; css=&#8221;&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876077766{margin-top: 20px !important;padding-bottom: 80px !important;}&#8221; el_class=&#8221;llegenda color-blanc fade-in m1-top-res color-blanc&#8221;]Baldomer Gili Roig. <em>Alfonso XIII<\/em>, 1905. Oli sobre tela, 220 x 110 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 0334. Donaci\u00f3 de la Diputaci\u00f3 de Lleida, 1917[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; css=&#8221;.vc_custom_1774433803195{padding-bottom: 80px !important;background-color: #000000 !important;}&#8221; z_index=&#8221;&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11776&#8243; img_size=&#8221;large&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876148290{margin-top: 40px !important;}&#8221; el_class=&#8221;llegenda color-blanc fade-in m1-top-res color-blanc&#8221;]Jordi Jov\u00e9. <em>A horse is a good friend,<\/em> 1987. Pintura metal\u00b7litzada, acr\u00edlic i guaix sobre paper, 60 x 39 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 0954. Cessi\u00f3 de l&#8217;Ajuntament de Lleida, 1987[\/vc_column_text][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_single_image image=&#8221;11779&#8243; img_size=&#8221;large&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876806521{margin-top: 20px !important;}&#8221; el_class=&#8221;llegenda color-blanc fade-in m1-top-res color-blanc&#8221;]Ignasi Prat. The world of the victors (Pazo de Meira\u0301s, Sada), 2014. Fotografia digital color, 78 x 110 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 5009. Dip\u00f2sit de la Generalitat de Catalunya. Col\u00b7lecci\u00f3 Nacional de Fotografia, 2022[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; css=&#8221;.vc_custom_1774433826879{padding-top: 80px !important;padding-bottom: 100px !important;background-color: #000000 !important;}&#8221; z_index=&#8221;&#8221;][vc_column width=&#8221;1\/6&#8243; css=&#8221;.vc_custom_1773143221514{padding-right: 0px !important;padding-left: 0px !important;}&#8221;]<div class=\"qode-info-card\">\n\t\t\t<div class=\"qode-info-card-image\" style=\"background-color:#fff\">\n\t\t\t<img decoding=\"async\" src=\"https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/4.Nicolas-Hitler.jpg\" alt=\"\" \/>\n\t\t<\/div>\n\t\t<div class=\"qode-info-card-text-holder\" style=\"background-color:#fff\">\n\t\t\t\t\t\t\t<p class=\"qode-info-card-text\" >\n\t\t\t\tNicol\u00e1s Mart\u00ednez Lage, NIKO. Adolf Hitler, 1950-1981. Retolador i guaix sobre cartolina, 63,4 x 42,5 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 1041. Donaci\u00f3 de la Fam\u00edlia Mart\u00ednez Andrea, 1993     \t\t\t<\/p>\n\t\t\t<\/div>\n\t<\/div>[\/vc_column][vc_column width=&#8221;1\/6&#8243; css=&#8221;.vc_custom_1773143618696{padding-right: 0px !important;padding-left: 0px !important;}&#8221;]<div class=\"qode-info-card\">\n\t\t\t<div class=\"qode-info-card-image\" style=\"background-color:#fff\">\n\t\t\t<img decoding=\"async\" src=\"https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/4.2.Nicolas-alfonsoXIII.jpg\" alt=\"\" \/>\n\t\t<\/div>\n\t\t<div class=\"qode-info-card-text-holder\" style=\"background-color:#fff\">\n\t\t\t\t\t\t\t<p class=\"qode-info-card-text\" >\n\t\t\t\tNicol\u00e1s Mart\u00ednez Lage, NIKO. Alfonso XIII, 1950-1981. Retolador i guaix sobre cartolina, 56,2 x 49,5 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 1026. Donaci\u00f3 de la Fam\u00edlia Mart\u00ednez Andrea, 1993     \t\t\t<\/p>\n\t\t\t<\/div>\n\t<\/div>[\/vc_column][vc_column width=&#8221;1\/6&#8243; css=&#8221;.vc_custom_1773143628872{padding-right: 0px !important;padding-left: 0px !important;}&#8221;]<div class=\"qode-info-card\">\n\t\t\t<div class=\"qode-info-card-image\" style=\"background-color:#fff\">\n\t\t\t<img decoding=\"async\" src=\"https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/4.3.Nicolas-fidelcastro.jpg\" alt=\"\" \/>\n\t\t<\/div>\n\t\t<div class=\"qode-info-card-text-holder\" style=\"background-color:#fff\">\n\t\t\t\t\t\t\t<p class=\"qode-info-card-text\" >\n\t\t\t\tNicol\u00e1s Mart\u00ednez Lage, NIKO. Fidel Castro, 1950-1981. Llapis i retolador sobre cartolina, 67,2 x 40,2 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 1037. Donaci\u00f3 de la Fam\u00edlia Mart\u00ednez Andrea, 1993     \t\t\t<\/p>\n\t\t\t<\/div>\n\t<\/div>[\/vc_column][vc_column width=&#8221;1\/6&#8243; css=&#8221;.vc_custom_1773143639435{padding-right: 0px !important;padding-left: 0px !important;}&#8221;]<div class=\"qode-info-card\">\n\t\t\t<div class=\"qode-info-card-image\" style=\"background-color:#fff\">\n\t\t\t<img decoding=\"async\" src=\"https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/4.5.Nicolas-franco.jpg\" alt=\"\" \/>\n\t\t<\/div>\n\t\t<div class=\"qode-info-card-text-holder\" style=\"background-color:#fff\">\n\t\t\t\t\t\t\t<p class=\"qode-info-card-text\" >\n\t\t\t\tNicol\u00e1s Mart\u00ednez Lage, NIKO. Francisco Franco, 1950-1981. Retolador sobre cartolina, 31,5 x 23,4 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 1053. Donaci\u00f3 de la Fam\u00edlia Mart\u00ednez Andrea, 1993     \t\t\t<\/p>\n\t\t\t<\/div>\n\t<\/div>[\/vc_column][vc_column width=&#8221;1\/6&#8243; css=&#8221;.vc_custom_1773143647144{padding-right: 0px !important;padding-left: 0px !important;}&#8221;]<div class=\"qode-info-card\">\n\t\t\t<div class=\"qode-info-card-image\" style=\"background-color:#fff\">\n\t\t\t<img decoding=\"async\" src=\"https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/4.4.Nicolas-franco.jpg\" alt=\"\" \/>\n\t\t<\/div>\n\t\t<div class=\"qode-info-card-text-holder\" style=\"background-color:#fff\">\n\t\t\t\t\t\t\t<p class=\"qode-info-card-text\" >\n\t\t\t\tNicol\u00e1s Mart\u00ednez Lage, NIKO. Francisco Franco, 1950-1981. Retolador sobre cartolina, 31,5 x 23,5 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 1091. Donaci\u00f3 de la Fam\u00edlia Mart\u00ednez Andrea, 1993     \t\t\t<\/p>\n\t\t\t<\/div>\n\t<\/div>[\/vc_column][vc_column width=&#8221;1\/6&#8243; css=&#8221;.vc_custom_1773143654457{padding-right: 0px !important;padding-left: 0px !important;}&#8221;]<div class=\"qode-info-card\">\n\t\t\t<div class=\"qode-info-card-image\" style=\"background-color:#fff\">\n\t\t\t<img decoding=\"async\" src=\"https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/4.6.Nicolas-lenin.jpg\" alt=\"\" \/>\n\t\t<\/div>\n\t\t<div class=\"qode-info-card-text-holder\" style=\"background-color:#fff\">\n\t\t\t\t\t\t\t<p class=\"qode-info-card-text\" >\n\t\t\t\tNicol\u00e1s Mart\u00ednez Lage, NIKO. Lenin, 1950-1981. Retolador i guaix sobre cartolina, 65,6 x 49,6 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 1033 Donaci\u00f3 de la Fam\u00edlia Mart\u00ednez Andrea, 1993    \t\t\t<\/p>\n\t\t\t<\/div>\n\t<\/div>[\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; header_style=&#8221;light&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1774433841492{padding-top: 80px !important;padding-bottom: 80px !important;background-color: #000000 !important;}&#8221; anchor=&#8221;foc_section&#8221;][vc_column][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1773225325802{padding-bottom: 40px !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;11368&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876607609{margin-top: 20px !important;}&#8221; el_class=&#8221;llegenda color-blanc fade-in m1-top-res color-blanc&#8221;]Toni Prim. <em>No posters allowed. Lleida <\/em>, 1976. Fotografia en blanc i negre. C\u00f2pia moderna del negatiu original, 18 x 28 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 4840. Dip\u00f2sit de la Generalitat de Catalunya. Col\u00b7lecci\u00f3 Nacional de Fotografia, 2020[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;11395&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774875916528{margin-top: 20px !important;}&#8221; el_class=&#8221;llegenda color-blanc fade-in m1-top-res color-blanc&#8221;]Vilanova, Oriol, <em>Forgers of Empire<\/em>, 2009. Fotografies de Jal\u00f3n \u00c1ngel, ca.  1939. Litografia sobre paper 30 postals: 14.3 x 9 cm c\/u. Col\u00b7lecci\u00f3 MACBA. Consorci MACBA \u00a9 Oriol Vilanova  <\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: -46px; top: -10px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1774433433011{margin-bottom: 120px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11388&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774875363685{margin-top: 20px !important;}&#8221; el_class=&#8221;llegenda color-blanc fade-in m1-top-res color-blanc&#8221;]<em>Serenity<\/em>, Lambert Escaler, 1874 &#8211; 1957, terracota policromada. Reg.  4223. Museu Abell\u00f3 . Mollet del Vall\u00e8s <\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 48px; top: -10px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11382&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876562739{margin-top: 20px !important;}&#8221; el_class=&#8221;llegenda color-blanc fade-in m1-top-res color-blanc&#8221;]Primitivo Mart\u00edn. Mao Aspirin, 1979. Fotografia dins pl\u00e0stic Aspirina, 1,8 x 1,8 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 4438. Donaci\u00f3 de Luc\u00eda Mart\u00edn Carrero, 2019[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11385&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1773224129039{margin-top: 20px !important;}&#8221; el_class=&#8221;llegenda color-blanc fade-in m1-top-res color-blanc&#8221;]Evarist Vall\u00e8s. <em>Christmas 71734<\/em>. Museu de l\u2019Empord\u00e0 <\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: -85px; top: -10px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; css=&#8221;.vc_custom_1774348099233{background: #000000 url(https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/sessiopobresa.jpg?id=11398) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}&#8221; z_index=&#8221;&#8221; el_class=&#8221;background-top-center&#8221;][vc_column][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1773393915131{margin-top: 0px !important;padding-top: 120px !important;padding-bottom: 80px !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;]<div class=\"comissionariat-title color-blanco orientation-false\" style=\"\" id=\"exercising-power-power-and-charity\">\n        <h2 class=\"fade-in\">EXERCISING POWER. POWER AND CHARITY <\/h2><\/div>[vc_column_text css=&#8221;.vc_custom_1773225947567{margin-top: 24px !important;margin-bottom: 40px !important;}&#8221; el_class=&#8221;font-gran color-blanc fade-in&#8221;]The highest expression of power is wealth, in other words economic, ostentation. It is in luxury, in inequality, where power takes shape. For example, in the decoration of palaces and churches. Apart from that, economic excess is not easy to find in art history, especially in the contemporary era.   <\/p>\n<p>In contrast, there are many images that represent the other side of wealth: poverty, fulfilling Samuel Beckett\u2019s phrase \u201cTo him who has nothing it is forbidden not to relish filth\u201d. Another thematic expression of wealth is charity. Charity can only be understood based on societal inequality: those who have sloughed off some of their excess.  <\/p>\n<p>Art has often resorted to poverty (and to charity), but rarely have the poor been the ones to represent themselves.<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 353px; top: 182px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1773312903095{margin-bottom: 60px !important;}&#8221; el_class=&#8221;llegenda color-blanc fade-in&#8221;]Josep Sancho Piqu\u00e9. <em>Christian Charity<\/em>. Museu d\u2019Art Modern de Tarragona[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1769682637810{padding-top: 80px !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;11402&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1773226836292{margin-bottom: 36px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1773226846777{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda color-blanc&#8221;]Bernat Martorell.<em>Saint Lucy Giving Alms<\/em>. Museu Nacional d\u2019Art de Catalunya[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;11405&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1773226856850{margin-bottom: 36px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774875948044{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda color-blanc&#8221;]Clemente Salazar. <em>Bohemian<\/em>, 1926. Oli sobre tela, 195 x 96 cm.<br \/>\nCol\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 0315. Donaci\u00f3 de Clemente Salazar, 1926[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;11408&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1773226920441{margin-bottom: 36px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1773226954817{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda color-blanc&#8221;]Charity. DHUB Barcelona[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;11411&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1773226964964{margin-bottom: 36px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1773226971254{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda color-blanc&#8221;]Josep Bernat Flaugier. <em>A Saint giving charity.<\/em> Museu Nacional d\u2019Art de Catalunya[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1769682637810{padding-top: 80px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11414&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1773227238032{margin-bottom: 36px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1773227252891{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda color-blanc&#8221;]Josep Sancho Piqu\u00e9. <em>Eating from the rubbish.<\/em> Museu d\u2019Art Modern de Tarragona <\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 259px; top: 166px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11417&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1773227265986{margin-bottom: 36px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1773227273289{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda color-blanc&#8221;]Isidre Nonell.<em>Two Gypsy Women<\/em>,1903. Museu Nacional d\u2019Art de Catalunya[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11420&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1773227302221{margin-bottom: 36px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774875562040{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda color-blanc&#8221;]Abad, Francesc. <em>El Camp de la Bota, <\/em>2004, Materials diversos. Dimensions variables, Col\u00b7lecci\u00f3 MACBA. Consorci MACBA. Donaci\u00f3 de l&#8217;artista \u00a9 Francesc Abad, VEGAP, Barcelona \u00a9 De la fotografia: Joan Roca de Vi\u00f1als[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1774434085854{padding-top: 80px !important;padding-bottom: 120px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11785&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774434050311{margin-bottom: 36px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1773227335426{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda color-blanc&#8221;]APA (Feliu Elias). <em>Christian Charity<\/em> (drawing\/caricature). Museu Nacional d\u2019Art de Catalunya[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_single_image image=&#8221;11432&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1773227621533{margin-bottom: 20px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876418588{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda color-blanc&#8221;]Ton Sirera. El Canyeret, Lleida, c. 1950. Fotografia en blanc i negre, c\u00f2pia d&#8217;\u00e8poca, 30 x 40 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 3490. Donaci\u00f3 de Pere Sirera, 2013 \u00a9Arxiu Ton Sirera, Lleida.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; header_style=&#8221;light&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; bg_type=&#8221;grad&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1770799622189{padding-top: 120px !important;padding-bottom: 94px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221; background_color=&#8221;#B3B3B300&#8243; bg_grad=&#8221;background: -webkit-gradient(linear, left top, left bottom, color-stop(0%, #E3E3E3), color-stop(100%, #FFFFFF));background: -moz-linear-gradient(top,#E3E3E3 0%,#FFFFFF 100%);background: -webkit-linear-gradient(top,#E3E3E3 0%,#FFFFFF 100%);background: -o-linear-gradient(top,#E3E3E3 0%,#FFFFFF 100%);background: -ms-linear-gradient(top,#E3E3E3 0%,#FFFFFF 100%);background: linear-gradient(top,#E3E3E3 0%,#FFFFFF 100%);&#8221;][vc_column][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1773239566081{padding-bottom: 00px !important;}&#8221;][vc_column_inner width=&#8221;2\/3&#8243;]<div class=\"comissionariat-title color-negro orientation-false\" style=\"\" id=\"the-tools-of-power-the-police\">\n        <h2 class=\"fade-in\">THE TOOLS OF POWER. THE POLICE <\/h2><\/div>[vc_column_text css=&#8221;.vc_custom_1774434239052{margin-bottom: 40px !important;}&#8221; el_class=&#8221;font-gran fade-in width-80&#8243;]The visual representation of the police, of all the police in the world, of all that those in power call \u201cthe forces of order\u201d, does not evoke the same reaction among those who view them. Everything depends on the ideological predisposition of the observer. Here we need to keep in mind the warning raised by the French philosopher Jacques Ranci\u00e8re: in order to see injustice in an image, that is, in a representation, the individual must previously be aware of that injustice in real life.  <\/p>\n<p>Those who do not see unjust repression in the works of Eul\u00e0lia Grau or Esther Remacha; those who are not made uncomfortable by a police raid depicted in the late 19th century; those who don\u2019t grow numb by the mounted guards of Samarra, just to name a few, will all have a viewpoint where art takes precedence over life. The photograph by Paula Art\u00e9s of a Spanish Guardia Civil police station places us in the ambivalence of the image: it may be co-opted by ideologies on the farthest right of the spectrum. No, images don\u2019t speak for themselves.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11437&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1773227955686{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774274911071{padding-bottom: 10px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Josep Llui\u0301s Pellicer. <em>A police search<\/em>, 1886. Museu Nacional d\u2019Art de Catalunya[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1769682637810{padding-top: 80px !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;11448&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774274929731{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876096791{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Antoni Samarra. <em>Guards<\/em>, c. 1913. Carb\u00f3 sobre paper, 21 x 31 cm.<br \/>\nCol\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 0347. Donaci\u00f3 de Francisca i Maria Samarra, 1929[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;11451&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1773229022095{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774875871767{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Grau, Eul\u00e0lia, <em>Public Order<\/em>, 1978. R.5061\/ R.2794 Impressi\u00f3 \u00f2fset sobre paper. Col\u00b7lecci\u00f3 MACBA. Consorci MACBA. Dip\u00f2sit de l&#8217;artista \u00a9 Eul\u00e0lia Grau, VEGAP, Barcelona     <\/p>\n<p>&nbsp;<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 205px; top: 38px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1769682637810{padding-top: 80px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11788&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774875380681{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]<em>Head of a mannequin with a Guardia Civil cap<\/em> Reg.  4604. Museu Abell\u00f3. Mollet del Vall\u00e8s[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_single_image image=&#8221;11443&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876694294{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Paula Art\u00e9s. <em>Forces and Corps 41\u00ba24\u201920.9\u2019\u2019N 2\u00ba09\u201952.5\u2019\u2019E<\/em>, 2016. Fotografia color, 47 x 40 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 4877. Dip\u00f2sit de la Generalitat de Catalunya. Col\u00b7lecci\u00f3 Nacional de Fotografia, 2021[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1773230931469{padding-top: 60px !important;}&#8221;][vc_column_inner width=&#8221;2\/3&#8243;][vc_single_image image=&#8221;11577&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774256546852{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876889606{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Esther Remacha.<em> Fighters of the land 3<\/em>, 1976-1977. Fotografia en blanc i negre, 30 x 40 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 5022. Dip\u00f2sit de la Generalitat de Catalunya. Col\u00b7lecci\u00f3 Nacional de Fotografia, 2022[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11440&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1773228684978{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Francesc Catal\u00e0-Roca, &#8220;Publicitat Barcelona&#8221;, 1953. Museu de Valls[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; css=&#8221;.vc_custom_1774435421106{background: #000000 url(https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/preso-bg-4.jpg?id=11806) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}&#8221; z_index=&#8221;&#8221; el_class=&#8221;background-top-center&#8221;][vc_column][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1773393915131{margin-top: 0px !important;padding-top: 120px !important;padding-bottom: 80px !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;]<div class=\"comissionariat-title color-blanco orientation-false\" style=\"\" id=\"the-tools-of-power-prison\">\n        <h2 class=\"fade-in\">THE TOOLS OF POWER. PRISON <\/h2><\/div>[vc_column_text css=&#8221;.vc_custom_1774434979814{margin-top: 24px !important;margin-bottom: 40px !important;}&#8221; el_class=&#8221;font-gran color-blanc fade-in&#8221;]Prison is a coercive instrument that all powers have utilised. And still use today. It is a punitive device where an individual is deprived of their liberty.  <\/p>\n<p>In its visual representation, however, there are certain, often romantic, readings of the tragedy that imprisonment entails: we can recall Piranesi&#8217;s engravings (or the <em>Prisoners Round<\/em> by Van Gogh which reinterpreted a previous engraving by Gustave Dor\u00e9). Mari\u00e0 Fortuny and Enric C. Ricart also gave a sugar-coated vision of the life of a prisoner. Art has often aestheticized repression, the punishment inflicted by power, as in the \u201cexecuted\u201d by Josep Sancho.  <\/p>\n<p>However, the existence of prisoners (especially, political prisoners) has been seen from apparently committed positions, as demonstrated by Camil F\u00e0bregas\u2019s homage to an unknown political prisoner, most likely crafted to take part in the international <em>Unknown Political Prisoner<\/em> contest held by the Tate in London, or the triptych <em>The Hope of a Condemned Man<\/em> by Joan Mir\u00f3, which pays homage to the anarchist Salvador Puig Antich.[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1773240824901{margin-bottom: 40px !important;padding-left: 20px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]Giovanni Battista Piranesi. <em>Prison<\/em>. Museu Nacional d\u2019Art de Catalunya[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1774435549401{padding-bottom: 80px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1773240770463{padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_single_image image=&#8221;11809&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css=&#8221;.vc_custom_1774435531250{margin-bottom: 15px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774344787510{margin-bottom: 40px !important;padding-left: 20px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]Josep Planella. Inside of a prison (stage design). Museu Nacional d\u2019Art de Catalunya[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1773240757292{padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_single_image image=&#8221;11812&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css=&#8221;.vc_custom_1774435525501{margin-bottom: 15px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774344791911{margin-right: 20px !important;margin-bottom: 40px !important;padding-left: 20px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]Mari\u00e0 Fortuny. <em>Prisoner in prison <\/em>(obverse). Museu Nacional d\u2019Art de Catalunya[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1773240726127{padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_single_image image=&#8221;11469&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css=&#8221;.vc_custom_1774435436125{margin-bottom: 15px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876946991{margin-bottom: 40px !important;padding-left: 10px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]Josep Casanovas Clerch. <em>Torturing a prisoner<\/em>, darrer quart segle XIX. Oli s. tela, 1\u201997 x 2\u201975 m. N\u00fam. d\u2019 inv.     948.<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 3px; top: -10px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;center&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;2\/3&#8243;][vc_single_image image=&#8221;11803&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css=&#8221;.vc_custom_1774435108656{margin-bottom: 15px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1773313004131{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda fade-in color-blanc&#8221;]Josep Sancho Piqu\u00e9. <em>Looking at the executed<\/em> Museu d\u2019Art Modern de Tarragona[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11589&#8243; img_size=&#8221;large&#8221; alignment=&#8221;center&#8221; css=&#8221;.vc_custom_1774271420432{margin-bottom: 15px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1773241797291{margin-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]Claude Arvaud Moisson, Retrat del fil\u00f3sof franc\u00e8s R. Brasillach, (c. 1944), Museu de Valls.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;center&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1774271427149{padding-bottom: 80px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11599&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774256931586{margin-bottom: 15px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876959659{margin-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]Camil Fa\u0300bregas Dalmau. <em>Project for the monument to the unknown political prisoner<\/em>, 1945. Fusta i pedra, 51x30x30 cm\/ peanya 30x30cm. N\u00famero d\u2019inv.: 1930.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11605&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css=&#8221;.vc_custom_1774257292825{margin-bottom: 15px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876837408{margin-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]Carlos Gim\u00e9nez. <em>Spain, Unified, Great and Free (Prison identification card, original 1)<\/em>, 1990. Tinta xinesa sobre cartolina, 45,7 x 33 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 5015.01. Dip\u00f2sit de la Generalitat de Catalunya. Col\u00b7lecci\u00f3 Nacional del C\u00f2mic i la Il\u00b7lustraci\u00f3, 2022[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11595&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css=&#8221;.vc_custom_1774256843569{margin-bottom: 15px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774275220276{margin-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]<\/p>\n<p style=\"text-align: left;\">C. Ricart. <em>Life is a dream<\/em>. Museu V\u00edctor Balaguer <\/p>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1774436167733{padding-bottom: 120px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1773240770463{padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_single_image image=&#8221;11608&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css=&#8221;.vc_custom_1774257332651{margin-bottom: 15px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1773313732119{margin-bottom: 40px !important;padding-left: 20px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]Joan Mir\u00f3. The hope of a condemned man I. Fundaci\u00f3 Joan Mir\u00f3. <\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 80px; top: 190px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1773240757292{padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_single_image image=&#8221;11611&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css=&#8221;.vc_custom_1774257338693{margin-bottom: 15px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774344827514{margin-bottom: 40px !important;padding-left: 20px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]Joan Mir\u00f3. <em>The hope of a condemned man II<\/em>. Fundaci\u00f3 Joan Mir\u00f3. <\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 87px; top: 126px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1773240726127{padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_single_image image=&#8221;11614&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css=&#8221;.vc_custom_1774257455721{margin-bottom: 15px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774344835976{margin-bottom: 40px !important;padding-left: 20px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]Joan Mir\u00f3. <em>The hope of a condemned man III<\/em>. Fundaci\u00f3 Joan Mir\u00f3. <\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: -11px; top: -10px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; header_style=&#8221;light&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; bg_type=&#8221;grad&#8221; z_index=&#8221;&#8221; css=&#8221;.vc_custom_1774436126432{padding-bottom: 94px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221; background_color=&#8221;#B3B3B300&#8243; bg_grad=&#8221;background: -webkit-gradient(linear, left top, left bottom, color-stop(0%, #E3E3E3), color-stop(100%, #FFFFFF));background: -moz-linear-gradient(top,#E3E3E3 0%,#FFFFFF 100%);background: -webkit-linear-gradient(top,#E3E3E3 0%,#FFFFFF 100%);background: -o-linear-gradient(top,#E3E3E3 0%,#FFFFFF 100%);background: -ms-linear-gradient(top,#E3E3E3 0%,#FFFFFF 100%);background: linear-gradient(top,#E3E3E3 0%,#FFFFFF 100%);&#8221;][vc_column][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1774436155455{padding-top: 120px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background: #000000 url(https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/guerra_2.jpg?id=11821) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column_inner][vc_column_text css=&#8221;.vc_custom_1774876486387{margin-top: 600px !important;padding-bottom: 40px !important;padding-left: 40px !important;}&#8221; el_class=&#8221;llegenda fade-in color-blanc&#8221;]Agust\u00ed Centelles. <em>Untitled (Bombing of Lleida, family members in the cemetery)<\/em>, 1937. Fotografia en blanc i negre, 23 x 34 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 4332. MECD, CDMH, Archivo Centelles, 2017[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1774435655985{padding-top: 120px !important;padding-bottom: 80px !important;}&#8221;][vc_column_inner width=&#8221;2\/3&#8243;]<div class=\"comissionariat-title color-negro orientation-false\" style=\"\" id=\"the-tools-of-power-war\">\n        <h2 class=\"fade-in\">THE TOOLS OF POWER. WAR <\/h2><\/div>[vc_column_text css=&#8221;.vc_custom_1773313825645{margin-bottom: 40px !important;}&#8221; el_class=&#8221;font-gran width-80 fade-in&#8221;]The history of visual art (from painting to cinema, from photography to virtual games) has paid special attention to wars, both real and fictional. At the same time, improbably, art makes portraits and homages to those who lead us into these wars. <\/p>\n<p>Wars are provoked and fed by institutionalised powers; the system feeds itself through combat, where the innocent always pay the price. Perhaps, now more than ever, it is here where the observer must choose a side, because the wars of the past are the wars of the present, and the victims are the same. <\/p>\n<p>The images of Agust\u00ed Centelles, given that photography offers traces of reality, are accompanied by gazes made by drawings. The reading of contemporary art (Torres, Rabascall, Solsona, and more) brings us closer to a critical reading of war based on the symbolism of art. Or perhaps not?[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11621&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774257664239{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876501863{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Agust\u00ed Centelles. <em>Untitled (Bombing of Lleida, cemetery trees)<\/em>, 1937. Fotografia en blanc i negre, 34 x 23 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 4337. MECD, CDMH, Archivo Centelles, 2017[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1773392476113{padding-right: 0px !important;padding-left: 0px !important;}&#8221;]<div class=\"comissionariat-card orientation-inferior color-blanco\" style=\"height: 640px; \"><div class=\"comissionariat-image background-bottom-center\" style=\"background-image: url('https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/guerra_1_2.jpg'); \"><\/div>\n            <div class=\"comissionariat-card-content-holder\">\n                <div class=\"comissionariat-card-content fade-in\">\n                    Josep Sancho Piqu\u00e9. Horrors of a war &#8211; The commotion of the revolution, 1936. Museu d\u2019Art Modern de Tarragona\n                <\/div>\n                <div class=\"comissionariat-card-caption llegenda fade-in\">\n                   <p> <\/p>\n                <\/div>\n            <\/div>\n        <\/div>[\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1774435587685{padding-right: 0px !important;padding-left: 0px !important;}&#8221;]<div class=\"comissionariat-card orientation-inferior color-blanco\" style=\"height: 640px; \"><div class=\"comissionariat-image background-right-center\" style=\"background-image: url('https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/guerra_2-2.jpg'); \"><\/div>\n            <div class=\"comissionariat-card-content-holder\">\n                <div class=\"comissionariat-card-content fade-in\">\n                    Ismael Smith. <em>Allegory of World War I<\/em> Museu Nacional d\u2019Art de Catalunya\n                <\/div>\n                <div class=\"comissionariat-card-caption llegenda fade-in\">\n                   <p> <\/p>\n                <\/div>\n            <\/div>\n        <\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1769682637810{padding-top: 80px !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;11630&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css=&#8221;.vc_custom_1774257955087{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1773392612526{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Josep Bartol\u00ed. <em>Wartime queues<\/em>. Museu de l\u2019Empord\u00e0[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;11633&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774257965065{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1773392621225{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Josep Llu\u00eds Pellicer. Sentry. Museu Nacional d\u2019Art de Catalunya[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1773393835695{padding-top: 80px !important;}&#8221;][vc_column_inner width=&#8221;1\/12&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;5\/12&#8243;][vc_single_image image=&#8221;11756&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774270928476{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774875771232{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Rabascall, Joan. <em>Atomic Kiss, <\/em>1968. Acr\u00edlic sobre tela, 162 x 97 cm. Col\u00b7lecci\u00f3 MACBA. Dip\u00f2sit de l&#8217;Ajuntament de Barcelona \u00a9 Joan Rabascall, VEGAP, Barcelona[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;5\/12&#8243;][vc_single_image image=&#8221;11642&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774258035697{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774875685309{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Solsona, Alberto, <em>The Art of War, <\/em>1973. Acr\u00edlic sobre tela, 116 x 89 x 1.5 cm. Col\u00b7lecci\u00f3 MACBA. Consorci MACBA. Donaci\u00f3 Fundaci\u00f3n Almela-Solsona \u00a9 Fundaci\u00f3n Almela-Solsona[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/12&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1774350201157{padding-top: 80px !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;11825&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774436459364{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774875791471{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Torres, Francesc, <em>Newsweek Series #14, <\/em>1991. Fotografia per blanqueig de colorants sobre poli\u00e8ster, Tr\u00edptic. 170 x 375 cm. Col\u00b7lecci\u00f3 MACBA. Dip\u00f2sit de l&#8217;Ajuntament de Barcelona. Donaci\u00f3 Rafael Tous \u00a9 Francesc Torres, VEGAP, Barcelona     <\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: -72px; top: -10px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;11645&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774258042749{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774275449736{padding-bottom: 40px !important;padding-left: 20px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Eneko Las Heras. <em>Dialogue vs. war<\/em>. Museu de l\u2019Empord\u00e0[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;11648&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774258049604{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1773393592617{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Josep Badosa. <em>The glorious Republic Aviation who has acted as shiningly on all fronts (photograph).<\/em> Museu Nacional d\u2019Art de Catalunya[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;11651&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774258055576{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774275453823{padding-right: 20px !important;padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Jaume Sol\u00e9. <em>Altarpiece in homage of Sarajevo<\/em>. Museu d\u2019Art Modern de Tarragona[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; css=&#8221;.vc_custom_1774258125316{background: #000000 url(https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/2.Miquel-Viladrich.velazquez.jpg?id=11654) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}&#8221; z_index=&#8221;&#8221; el_class=&#8221;background-top-center&#8221;][vc_column][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1773393915131{margin-top: 0px !important;padding-top: 120px !important;padding-bottom: 80px !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;]<div class=\"comissionariat-title color-blanco orientation-false\" style=\"\" id=\"the-tools-of-power-art\">\n        <h2 class=\"fade-in\">THE TOOLS OF POWER. ART <\/h2><\/div>[vc_column_text css=&#8221;.vc_custom_1773393945835{margin-top: 24px !important;margin-bottom: 40px !important;}&#8221; el_class=&#8221;font-gran color-blanc fade-in&#8221;]Marxist theory has already made it clear that religion, philosophy and art were the ideological superstructures that supported class society, i.e. the dominion of some over others. Put another way: the economic structure generates inequality. <\/p>\n<p>Power has always utilised art to justify its own power: those supposedly majestic depictions (equestrian portraits are the utmost expression of the powerful\u2019s self-complacency and how they use servile artists), religious scenes that seek to spread fear among parishioners, the supposed glamour of everything that has to do with art and so on.<\/p>\n<p>This paradigm started to come under questioning in the 19th century. However, the capitalist system has devoured it all. In their halls, museums house both the art created to exalt the glory of the powerful, as well as works that have been created to oppose them.[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1774876052234{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda fade-in color-blanc&#8221;]Miquel Viladrich. <em>The Count-Duke of Olivares<\/em>, 1908. Oli sobre tela, 154 x 156 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 0326. Proced\u00e8ncia desconeguda[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1774258433581{padding-bottom: 80px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1774258467044{padding-left: 0px !important;}&#8221;][vc_single_image image=&#8221;11657&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css=&#8221;.vc_custom_1774258408802{margin-bottom: 15px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774258333761{margin-right: 20px !important;margin-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]Apse from Sant Climent de Ta\u00fcll. Museu Nacional d\u2019Art de Catalunya[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243; css=&#8221;.vc_custom_1774258462958{padding-right: 0px !important;}&#8221;][vc_single_image image=&#8221;11660&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css=&#8221;.vc_custom_1774258415088{margin-bottom: 15px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774258340317{margin-bottom: 40px !important;padding-left: 20px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]Joan Ferrer Mir\u00f3. <em>Public Exhibition of a Picture<\/em>. Museu Nacional d\u2019Art de Catalunya[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1773313451095{padding-bottom: 80px !important;}&#8221;][vc_column_inner width=&#8221;5\/12&#8243;][vc_single_image image=&#8221;11675&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774258558241{margin-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]Josep Llu\u00eds Pellicer. <em>1787 Art Exhibition<\/em>. Museu Nacional d\u2019Art de Catalunya[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;3\/12&#8243;][vc_single_image image=&#8221;11666&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css=&#8221;.vc_custom_1774258878771{margin-bottom: 15px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774258568326{margin-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]Ramon Mart\u00ed Alsina. <em>An exhibition hall. <\/em>Museu Nacional d\u2019Art de Catalunya[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;4\/12&#8243;][vc_single_image image=&#8221;11669&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774258885585{margin-bottom: 15px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774258577093{margin-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]Jos\u00e9 Gonz\u00e1lez Bande. <em>The path of artistic glory .<\/em> ME-638 Museu de l\u2019Empord\u00e0[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1774259536252{padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_single_image image=&#8221;11688&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774259998146{margin-bottom: 15px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876365122{margin-bottom: 40px !important;padding-left: 20px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]Antoni Garcia Lamolla. <em>Poster<\/em>, c. 1936. T\u00e8mpera sobre paper, 59 x 37,5 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 1513. Donaci\u00f3 de Francisco Crist\u00f2fol, 1999[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1774259542824{padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_single_image image=&#8221;11691&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774259992894{margin-bottom: 15px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774875497405{margin-bottom: 40px !important;padding-left: 10px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]Club 49 (Grup d&#8217;artistes), Borr\u00e0s, Maria Llu\u00efsa. <em>Llanterna m\u00e0gica Gomis-Prats : projecci\u00f3 del Fotoscop: visita a l&#8217;exposici\u00f3 Mir\u00f3 a la &#8220;Tate Gallery&#8221; de Londres organitzada per Roland Penrose, <\/em>1965. 15.8 x 12.7 cm. Col\u00b7lecci\u00f3 MACBA. Centre d&#8217;Estudis i Documentaci\u00f3. Fons Maria Llu\u00efsa Borr\u00e0s[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243; css=&#8221;.vc_custom_1774260140672{padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_single_image image=&#8221;11684&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774259653300{margin-bottom: 15px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774875715833{margin-bottom: 40px !important;padding-right: 20px !important;}&#8221; el_class=&#8221;llegenda color-blanc width-80 fade-in&#8221;]Xifra, Jaume, <em>Slice of Not Yet Recognized Art<\/em>,1967. Ma\u00f3 i ferro muntats sobre estructura de tela i fusta, 74 x 63 x 7 cm. Col\u00b7lecci\u00f3 MACBA. Dip\u00f2sit de l&#8217;Ajuntament de Barcelona \u00a9 Jaume Xifra, VEGAP, Barcelona[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1774344462523{margin-bottom: 120px !important;padding-top: 80px !important;}&#8221;][vc_column_inner width=&#8221;1\/12&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;10\/12&#8243;][vc_single_image image=&#8221;11694&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774260090431{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774260117330{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda fade-in color-blanc&#8221;]Perejaume, Migdia a Valls, 2009. Museu de Valls. <\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: -72px; top: -10px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/12&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; css=&#8221;.vc_custom_1774436838522{background-image: url(https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/1.Antoni-Estruch.-Una-manifestacio\u0301-obrera-_-Manifestacio\u0301.jpg?id=11698) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}&#8221; z_index=&#8221;&#8221; el_class=&#8221;background-top-center&#8221;][vc_column][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1774438620308{margin-top: 0px !important;padding-top: 120px !important;padding-bottom: 110px !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;]<div class=\"comissionariat-title color-blanco orientation-false\" style=\"\" id=\"opposition-to-power\">\n        <h2 class=\"fade-in\">OPPOSITION TO POWER<\/h2><\/div>[vc_column_text css=&#8221;.vc_custom_1774345259126{margin-top: 24px !important;margin-bottom: 40px !important;}&#8221; el_class=&#8221;font-gran color-blanc fade-in&#8221;]Those who have held power throughout history have not given licence to show opposition to their reign: if dissident visual culture does exist it is because, at a specific moment, a critical gaze was permissible. Or perhaps it had lived in clandestine spaces and was later co-opted by institutions, including museums. <\/p>\n<p>Art is ideology. Or put another way, museums are not neutral. Once again, everything ends up depending on the observer\u2019s gaze, which is necessarily suspicious, attentive to all kinds of manipulations that are carried out by means of representations.  <\/p>\n<p>Catalan art museums are full of works that need to be interpreted to know which side of democracy they are on. Shall we give it a go?[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1774876971913{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda fade-in color-blanc&#8221;]Antoni Estruch. <em>Workers\u2019 Protest \/ Protest for the Republic<\/em>, 1904. Oli s. tela, 141\u20195 x 201\u20195 cm. N\u00fam. d\u2019inv.: 1104.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1774437085183{padding-right: 0px !important;padding-left: 0px !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1773392476113{padding-right: 0px !important;padding-left: 0px !important;}&#8221;]<div class=\"comissionariat-card orientation-inferior color-blanco\" style=\"height: 640px; \"><div class=\"comissionariat-image background-center-center\" style=\"background-image: url('https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/2.Cardona-Torrandell-manifestacio\u0301_3.jpg'); \"><\/div>\n            <div class=\"comissionariat-card-content-holder\">\n                <div class=\"comissionariat-card-content fade-in\">\n                    Cardona Torrendell. <em>Protest<\/em>, 1968. Biblioteca-Museu V\u00edctor Balaguer\n                <\/div>\n                <div class=\"comissionariat-card-caption llegenda fade-in\">\n                   <p> <\/p>\n                <\/div>\n            <\/div>\n        <\/div>[\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1773392470065{padding-right: 0px !important;padding-left: 0px !important;}&#8221;]<div class=\"comissionariat-card orientation-inferior color-blanco\" style=\"height: 640px; \"><div class=\"comissionariat-image background-center-center\" style=\"background-image: url('https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/3.JOAN-ABELLO\u0301-LA-DIADA-1977_3.jpg'); \"><\/div>\n            <div class=\"comissionariat-card-content-holder\">\n                <div class=\"comissionariat-card-content fade-in\">\n                    <em>La Diada<\/em>, 1977. Joan Abell\u00f3 i Prat, 1922-2008, oli sobre tela. Reg. D-0003. Familia Abell\u00f3. Museu Abell\u00f3. Mollet del Vall\u00e8s\n                <\/div>\n                <div class=\"comissionariat-card-caption llegenda fade-in\">\n                   <p> <\/p>\n                <\/div>\n            <\/div>\n        <\/div>[\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1774437079399{padding-right: 0px !important;padding-left: 0px !important;}&#8221;]<div class=\"comissionariat-card orientation-inferior color-blanco\" style=\"height: 640px; \"><div class=\"comissionariat-image background-center-center\" style=\"background-image: url('https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/4.Loposicio\u0301_4_Edo_3.jpg'); \"><\/div>\n            <div class=\"comissionariat-card-content-holder\">\n                <div class=\"comissionariat-card-content fade-in\">\n                    Manuel Edo. <em>Mining<\/em>. Museu Nacional d\u2019Art de Catalunya\n                <\/div>\n                <div class=\"comissionariat-card-caption llegenda fade-in\">\n                   <p> <\/p>\n                <\/div>\n            <\/div>\n        <\/div>[\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243; css=&#8221;.vc_custom_1774437103001{padding-right: 0px !important;padding-left: 0px !important;}&#8221;]<div class=\"comissionariat-card orientation-inferior color-blanco\" style=\"height: 640px; \"><div class=\"comissionariat-image background-center-center\" style=\"background-image: url('https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2026\/03\/9.Joan-Rabascall.-Cultura-de-la-se\u0300rie-Spain-is-different-1975.-MACBA_3.jpg'); \"><\/div>\n            <div class=\"comissionariat-card-content-holder\">\n                <div class=\"comissionariat-card-content fade-in\">\n                    Rabascall, Joan, <em>Culture (from the series Spain is different), <\/em>1975. Emulsi\u00f3 fotogr\u00e0fica sobre tela, 102 x 102 x 3 cm. Col\u00b7lecci\u00f3 MACBA. Fundaci\u00f3 MACBA \u00a9 Joan Rabascall, VEGAP, Barcelona\n                <\/div>\n                <div class=\"comissionariat-card-caption llegenda fade-in\">\n                   <p> <\/p>\n                <\/div>\n            <\/div>\n        <\/div>[\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1774261156859{padding-top: 80px !important;}&#8221;][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11840&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][vc_column_text css=&#8221;.vc_custom_1774263619106{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Miquel Garc\u00eda Membrado. <em>53 Revolutions<\/em>. Museu d\u2019Art Modern de Tarragona[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11714&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774261641072{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876461505{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]N\u00faria G\u00fcell.<em> Stateless by choice<\/em>, 2015-2016. Fotografia color, 148,7 x 42 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 4324. Dip\u00f2sit de la Generalitat de Catalunya. Col\u00b7lecci\u00f3 Nacional de Art Contemporani, 2018[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;11717&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774261649535{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876530188{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Primitivo Mart\u00edn. <em>Mao Trilogy<\/em>, 1979. Fotomuntatge, 9 x 15 cm.Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 4413. Donaci\u00f3 de Luc\u00eda Mart\u00edn Carrero, 2019[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1774344511924{padding-top: 80px !important;}&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;11720&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774262284047{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876652240{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Toni Prim. <em>First referendum. <\/em>Lleida, 1976. Fotografia en blanc i negre. C\u00f2pia moderna del negatiu original, 18 x 28 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 4842. Dip\u00f2sit de la Generalitat de Catalunya. Col\u00b7lecci\u00f3 Nacional de Fotografia, 2020[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;11723&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774262291092{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876442447{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Alfons L\u00f3pez. <em>Nuclear power plants. El Papus <\/em>, 1979. Tinta xinesa sobre paper, 16,3 x 26 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 4012. Donaci\u00f3 d&#8217;Alfons L\u00f3pez, 2016[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1774263771722{padding-top: 80px !important;}&#8221;][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;11711&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774261133328{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774275634915{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]J. Pons. <em>Lina O\u0301dena<\/em>. Museu Nacional d\u2019Art de Catalunya[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;11741&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774263307204{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774263628240{padding-bottom: 40px !important;padding-left: 10px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Daniel Argimon.<em> Poster for the revolution<\/em>, 1971.Museu de l\u2019Empord\u00e0[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;11735&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774263312622{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774876772122{padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Alfons L\u00f3pez. In some places I\u2019m in a permanent \u201ccamp\u201d. 1971. Collage i tinta sobre cartolina, 25,7 x 20,5 cm. Col\u00b7lecci\u00f3 MORERA. Museu d\u2019Art Modern i Contemporani de Lleida, 4983. Donaci\u00f3 d&#8217;Alfons L\u00f3pez, 2022[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;11738&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1774263317961{margin-bottom: 10px !important;}&#8221; qode_css_animation=&#8221;element_from_fade&#8221;][vc_column_text css=&#8221;.vc_custom_1774263647175{padding-right: 10px !important;padding-bottom: 40px !important;}&#8221; el_class=&#8221;llegenda&#8221;]Francesc Abad, sense t\u00edtol [Contra l\u2019abocador de For\u00e8s], c. 1990, Museu de Valls.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221; css=&#8221;.vc_custom_1774262402721{padding-top: 80px !important;}&#8221;][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; bg_type=&#8221;bg_color&#8221; z_index=&#8221;&#8221; bg_color_value=&#8221;#000000&#8243; css=&#8221;.vc_custom_1746632125762{background-color: #000000 !important;}&#8221; anchor=&#8221;hero&#8221;][vc_column][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner][vc_empty_space height=&#8221;368px&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221; el_class=&#8221;color-blanc m3-bottom-res&#8221;] Nothing is as it seems [\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; 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