{"id":2550,"date":"2022-06-16T17:51:57","date_gmt":"2022-06-16T15:51:57","guid":{"rendered":"https:\/\/xarxa.museunacional.cat\/1000-maneres-de-moriren-un-museu-dart\/"},"modified":"2024-08-05T13:53:26","modified_gmt":"2024-08-05T11:53:26","slug":"1000-maneres-de-moriren-un-museu-dart","status":"publish","type":"page","link":"https:\/\/xarxa.museunacional.cat\/en\/1000-maneres-de-moriren-un-museu-dart\/","title":{"rendered":"A thousand ways of dying in an Art Museum"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row css_animation=&#8221;element_from_fade&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;yes&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; row_negative_margin=&#8221;disable_negative_margin&#8221; z_index=&#8221;&#8221; background_color=&#8221;#337581&#8243; padding_bottom=&#8221;0&#8243; css=&#8221;.vc_custom_1687419527214{background-image: url(https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2022\/10\/fonsdecapitacio_girona-scaled.jpg?id=1491) !important;}&#8221; el_class=&#8221;museutit&#8221;][vc_column][vc_empty_space height=&#8221;172px&#8221;][vc_column_text css=&#8221;.vc_custom_1687425710226{padding-right: 0px !important;padding-left: px !important;}&#8221;]<\/p>\n<h2 class=\"text-intro\" style=\"text-align: left;\"><span style=\"color: #ffffff;\">A thousand ways of dying in an Art Museum<\/span><\/h2>\n<p>[\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1685987998961{padding-left: 5px !important;}&#8221;]<\/p>\n<h4 style=\"text-align: left;\"><span style=\"color: #ffffff;\">Curator: Ricard Mas<\/span><\/h4>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;72px&#8221;][vc_column_text]<\/p>\n<h4><span style=\"color: #ffffff;\">Congratulations! If you\u2019re reading this text (and you\u2019re not an artificial intelligence) it means you\u2019re still breathing. So far\u2026 because living means inhabiting the brief time between birth and death.<\/span><br \/>\n<span style=\"color: #ffffff;\">Art is inseparable from human expression. It reveals to us the innumerable discourses and reflections of the soul regarding its limits. This online exhibition is, therefore, limited to showing a few cases from the infinite variety of ways of portraying death, through works of a very different nature, most of which can be visited publicly in the 22 institutions that make up the Art Museums Network of Catalonia.<\/span><\/h4>\n<h4><span style=\"color: #ffffff;\">The people depicted in these works are no longer breathing. Neither are the artists who created them. But they still talk to us. And they ask us a question that goes beyond our concern for finiteness: Am I?<\/span><\/h4>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;152px&#8221;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;yes&#8221; type=&#8221;grid&#8221; angled_section=&#8221;yes&#8221; angled_section_position=&#8221;top&#8221; angled_section_direction=&#8221;from_left_to_right&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; background_color=&#8221;#000000&#8243; el_id=&#8221;menu&#8221; css=&#8221;.vc_custom_1687340280958{padding-right: 10px !important;padding-left: 10px !important;}&#8221;][vc_column][vc_empty_space height=&#8221;82px&#8221;][vc_column_text]<\/p>\n<h2 class=\"second-title\" style=\"text-align: center;\"><span style=\"color: #ffffff;\">Index<\/span><\/h2>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;82px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;element_from_fade&#8221; el_class=&#8221;enllacos&#8221; transition_delay=&#8221;30&#8243;][vc_column_inner width=&#8221;1\/3&#8243;][vc_column_text]<a href=\"#tement\">Afraid to Die<\/a><br \/>\n<a href=\"#guerra\">In War<\/a><br \/>\n<a href=\"#dramatisme\">With Great Drama<\/a><br \/>\n<a href=\"#desitjant\">Desiring<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_column_text]<a href=\"#memorablement\">Memorably<\/a><br \/>\n<a href=\"#llit\">In Bed<\/a><br \/>\n<a href=\"#motu\">Motu proprio<\/a><br \/>\n<a href=\"#natures\">Very Still Lifes<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/3&#8243;][vc_column_text]<a href=\"#topografies\">Topographies of memory<\/a><br \/>\n<a href=\"#cementiri\">The Cemetery of Art<\/a><br \/>\n<a href=\"#allo\">Everything that is not dead, but is not alive either&#8230;<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;172px&#8221;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;element_from_right&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;yes&#8221; angled_section_position=&#8221;top&#8221; angled_section_direction=&#8221;from_right_to_left&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; el_id=&#8221;tement&#8221; z_index=&#8221;&#8221; background_color=&#8221;#ffffff&#8221; css=&#8221;.vc_custom_1687419535959{padding-right: 10px !important;padding-left: 10px !important;}&#8221;][vc_column css=&#8221;.vc_custom_1687419577528{padding-right: 10px !important;padding-left: 10px !important;}&#8221;][vc_empty_space height=&#8221;72px&#8221;][vc_column_text]<\/p>\n<h2 class=\"second-title\" style=\"text-align: center;\">Afraid to Die<\/h2>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;18px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4 style=\"text-align: center;\">The fear of dying keeps us alive. Numerous elements remind us of our finiteness, the most characteristic of which is the skull. Skulls have no face and materialise the loss of identity<\/h4>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;72px&#8221;]<div id=\"ult-carousel-176183220969deefc40b579\" class=\"ult-carousel-wrapper  comi ult_horizontal\" data-gutter=\"15\" data-rtl=\"false\" ><div class=\"ult-carousel-221692278969deefc40b4af \" >[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1297&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_column_text]Antonio Rafael Mengs:\u00a0<em>Prayer in the Garden<\/em>, 1774-1776. Oil on wood, 185 x 185 cm. Lleida Diocesan and County Museum. \u00a9 Museu de Lleida. Photo: Jordi V. Pou.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Mengs: Prayer in the Garden<\/div>\n<div class=\"subtitol\">Jesus, both human and divine, aware of his destiny, tells his followers \u201cMy soul is crushed with grief to the point of death\u201d (Matthew 14:38) and retires to pray in solitude. He asks God up to three times, \u201cTake this cup from me\u201d, but finally accepts his destiny.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1364&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_column_text]Pablo Picasso.\u00a0<em>Memento mori<\/em>, Oil on canvas glued to cardboard, 24 x 37.8 cm. Palau Foundation, Caldes d\u2019Estrac.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Picasso: Memento mori<\/div>\n<div class=\"subtitol\">Saint Bruno, founder of the Carthusian monastic order, is depicted holding a skull. The Carthusian monks recalled their mortal condition every day. The young Picasso, obsessed with death, attaches more importance to the skull, which was real, than to the saint, a bust.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1360&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_column_text]Anonymous.\u00a0<em>Untitled<\/em>, 19th century. Oil on canvas glued to sawn wood, 267 x 96 x 9 cm. Manresa County Museum. \u00a9 CRBMC Centre de Restauraci\u00f3 de B\u00e9ns Mobles de Catalunya.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Untitled<\/div>\n<div class=\"subtitol\">\n<p>Emblem that is part of a novena (prayers offered on nine consecutive days for a deceased person), in this case, on the limits of medicine: &#8220;It is useless for science \/ To dictate remedies and medicines \/ That in those critical moments \/ Neither knowledge nor experience is valid.&#8221;<\/p>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1363&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Dar\u00edo de Regoyos.\u00a0<em>V\u00edctimas de la fiesta<\/em>, 1894. Ink and grattage on paper, 31 x 45 cm. Abell\u00f3 Museum, Mollet del Vall\u00e8s.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">De Regoyos: Victims of the Festival<\/div>\n<div class=\"subtitol\">A harsh criticism of bullfighting. If you lived in the country, the first notion of what would happen to a decaying body often came from seeing dead horses abandoned in the open air. Hence the aesthetics of putrefaction among the first avant-garde artists.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]<\/div><\/div>\t\t\t<script type=\"text\/javascript\">\n\t\t\t\tjQuery(document).ready(function ($) {\n\t\t\t\t\tif( typeof jQuery('.ult-carousel-221692278969deefc40b4af').slick == \"function\"){\n\t\t\t\t\t\t$('.ult-carousel-221692278969deefc40b4af').slick({dots: false,autoplay: true,autoplaySpeed: \"5000\",speed: \"300\",infinite: true,arrows: true,nextArrow: '<button type=\"button\" role=\"button\" aria-label=\"Next\" style=\"color:#000000; font-size:45px;\" class=\"slick-next default\"><i class=\"ultsl-arrow-right4\"><\/i><\/button>',prevArrow: '<button type=\"button\" role=\"button\" aria-label=\"Previous\" style=\"color:#000000; font-size:45px;\" class=\"slick-prev default\"><i class=\"ultsl-arrow-left4\"><\/i><\/button>',slidesToScroll:1,slidesToShow:1,swipe: true,draggable: true,touchMove: true,pauseOnHover: true,pauseOnFocus: false,responsive: [\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1026,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1,  \n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1025,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 760,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t}\n\t\t\t\t\t\t],pauseOnDotsHover: true,customPaging: function(slider, i) {\n                   return '<i type=\"button\" style= \"color:#333333;\" class=\"ultsl-record\" data-role=\"none\"><\/i>';\n                },});\n\t\t\t\t\t}\n\t\t\t\t});\n\t\t\t<\/script>\n\t\t\t[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;right&#8221; css_animation=&#8221;&#8221;][vc_column_inner]<a  itemprop=\"url\" href=\"https:\/\/xarxa.museunacional.cat\/en\/1000-maneres-de-moriren-un-museu-dart\/#menu\" target=\"_self\" data-hover-background-color='#ffffff' data-hover-color='#000000' class=\"qbutton  enlarge\" style=\"color: #000000; \">Men\u00fa<i class=\"qode_icon_font_awesome fa fa-arrow-circle-o-up qode_button_icon_element\" style=\"color: #000000;\" ><\/i><\/a>[\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;102px&#8221;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;element_from_left&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;yes&#8221; angled_section_position=&#8221;top&#8221; angled_section_direction=&#8221;from_left_to_right&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; background_color=&#8221;#e2e2e2&#8243; el_id=&#8221;guerra&#8221; css=&#8221;.vc_custom_1687419586179{padding-right: 10px !important;padding-left: 10px !important;}&#8221;][vc_column][vc_empty_space height=&#8221;92px&#8221;][vc_column_text]<\/p>\n<h2 class=\"second-title\" style=\"text-align: center;\">In War<\/h2>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;18px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4 style=\"text-align: center;\">After pandemics, war is the leading cause of mass death. Unfortunately, the evolution of science, instead of favouring the human condition, has made it much worse by placing itself at the service of war. The two World Wars are a paradigmatic case of this.<\/h4>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;72px&#8221;]<div id=\"ult-carousel-150693574369deefc40b708\" class=\"ult-carousel-wrapper  comi ult_horizontal\" data-gutter=\"15\" data-rtl=\"false\" ><div class=\"ult-carousel-2718966669deefc40b6ed \" >[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;4349&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Julio Antonio.\u00a0<em>Planned Monument to the Heroes of Tarragona<\/em>, 1916. Bronze, 134 x 69 x 50 cm. Tarragona Museum of Modern Art.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Julio Antonio: Planned Monument to the Heroes of Tarragona<\/div>\n<div class=\"subtitol\">A tribute to the people of Tarragona who resisted the Napoleonic occupation in 1811. The city of Tarragona is holding \u2013 in the manner of the Christian \u201cDescents\u201d \u2013 one of its dead children. The modern nation-state, born in the wake of the French Revolution, gives meaning to patriotic sacrifices.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;4352&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Marian Vayreda i Vila.\u00a0<em>Fighting in the Square<\/em>, c. 1876. Oil on canvas, 29 x 46 cm. Museum of La Garrotxa, Olot.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Vayreda: Fighting in the Square<\/div>\n<div class=\"subtitol\">This early work was probably inspired by the artist&#8217;s own experiences during the Third Carlist War (1872-1876). It is interesting to note that, given the inaccuracy of the firearms of the time, the opposing forces confronted each other without taking cover.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;4355&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Feliu Elias.\u00a0<em>The Walk of Death in Disguise<\/em>, 1913. Ink and gouache on paper, 25 x 32 cm. Abell\u00f3 Museum, Mollet del Vall\u00e8s.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Elias: The Walk of Death in Disguise<\/div>\n<div class=\"subtitol\">The First World War was not difficult to predict. This joke, published in L\u2019Esquella de la Torratxa in 1913, was entitled: &#8220;Germany &#8230; Here is the enemy&#8221;. An apocalyptic Kaiser is saying &#8220;The day I get up in a bad mood &#8230; there won\u2019t be a rat left in Europe to tell the story.&#8221;<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;4358&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Apel\u00b7les Fenosa.\u00a0<em>Lleida<\/em>, Bronze, 43,5 x 43,5 x 40,5 cm. Museu Apel\u00b7les Fenosa, El Vendrell.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Fenosa: Lleida<\/div>\n<div class=\"subtitol\">A partir de la primera guerra mundial, la poblaci\u00f3 civil esdev\u00e9 objectiu militar prioritari. Aquesta pietat contempor\u00e0nia, possiblement inspirada en una foto d\u2019Agust\u00ed Centelles, fou concebuda arran del terrible bombardeig de Lleida per la Legi\u00f3 C\u00f2ndor el 2 de novembre del 1937<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]<\/div><\/div>\t\t\t<script type=\"text\/javascript\">\n\t\t\t\tjQuery(document).ready(function ($) {\n\t\t\t\t\tif( typeof jQuery('.ult-carousel-2718966669deefc40b6ed').slick == \"function\"){\n\t\t\t\t\t\t$('.ult-carousel-2718966669deefc40b6ed').slick({dots: false,autoplay: true,autoplaySpeed: \"5000\",speed: \"300\",infinite: true,arrows: true,nextArrow: '<button type=\"button\" role=\"button\" aria-label=\"Next\" style=\"color:#333333; font-size:45px;\" class=\"slick-next default\"><i class=\"ultsl-arrow-right4\"><\/i><\/button>',prevArrow: '<button type=\"button\" role=\"button\" aria-label=\"Previous\" style=\"color:#333333; font-size:45px;\" class=\"slick-prev default\"><i class=\"ultsl-arrow-left4\"><\/i><\/button>',slidesToScroll:1,slidesToShow:1,swipe: true,draggable: true,touchMove: true,pauseOnHover: true,pauseOnFocus: false,responsive: [\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1026,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1,  \n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1025,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 760,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t}\n\t\t\t\t\t\t],pauseOnDotsHover: true,customPaging: function(slider, i) {\n                   return '<i type=\"button\" style= \"color:#333333;\" class=\"ultsl-record\" data-role=\"none\"><\/i>';\n                },});\n\t\t\t\t\t}\n\t\t\t\t});\n\t\t\t<\/script>\n\t\t\t[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;right&#8221; css_animation=&#8221;&#8221;][vc_column_inner]<a  itemprop=\"url\" href=\"https:\/\/xarxa.museunacional.cat\/en\/1000-maneres-de-moriren-un-museu-dart\/#menu\" target=\"_self\" data-hover-background-color='#ffffff' data-hover-color='#000000' class=\"qbutton  enlarge\" style=\"color: #000000; \">Men\u00fa<i class=\"qode_icon_font_awesome fa fa-arrow-circle-o-up qode_button_icon_element\" style=\"color: #000000;\" ><\/i><\/a>[vc_empty_space height=&#8221;72px&#8221;][vc_empty_space height=&#8221;72px&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css_animation=&#8221;element_from_right&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;yes&#8221; angled_section_position=&#8221;top&#8221; angled_section_direction=&#8221;from_right_to_left&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; background_color=&#8221;#007882&#8243; anchor=&#8221;dramatisme&#8221; el_id=&#8221;dramatisme&#8221; css=&#8221;.vc_custom_1687425737156{padding-right: 10px !important;padding-left: 10px !important;}&#8221;][vc_column][vc_empty_space height=&#8221;72px&#8221;][vc_column_text]<\/p>\n<h2 class=\"second-title\" style=\"text-align: center;\">With Great Drama<\/h2>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;18px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4 style=\"text-align: center;\">There are works that focus intensively on attracting attention. They are sensationalist, outrageous and intensely dramatic. They are scenic paintings from which one can imagine a certain narrative. And there is nothing more dramatic than a well-tied death.<\/h4>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;72px&#8221;]<div id=\"ult-carousel-71678665069deefc40b839\" class=\"ult-carousel-wrapper  comi ult_horizontal\" data-gutter=\"15\" data-rtl=\"false\" ><div class=\"ult-carousel-321783337369deefc40b820 \" >[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1405&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Antoni Coll Pi,\u00a0<em>See You Later<\/em>, Oil on canvas, 145 x 217 cm. Sabadell Museum of Art.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Coll Pi: See You Later<\/div>\n<div class=\"subtitol\">This genre painting was acquired by Sabadell City Council. The coffin and white flowers indicate a child\u2019s death, the father is saying goodbye while the undertaker has broken the niche to make space. The official holding the coffin lid looks away discreetly.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1406&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Josep Masana.\u00a0<em>Between Life and Death<\/em>, 1920-1940 (edition around 1957-1960). Photograph coloured with the Flexichrome process, 16 x 19.2 cm. National Art Museum of Catalonia, Barcelona.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Masana: Between Life and Death<\/div>\n<div class=\"subtitol\">A mysterious coloured photograph that illustrates a popular saying. A naked young woman struggles between life (the old doctor who takes her pulse) and death (the skeleton that wants to take her). It is also an enviable opportunity to marry Eros and Thanatos, desire and death.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1399&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Josep Berga i Boada.\u00a0<em>Such Are the Consequences&#8230; (the stabbing)<\/em>, between 1900 and 1907. Plaster, 100 x 51 x 60 cm. Museum of La Garrotxa, Olot.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Berga i Boada: Such Are the Consequences&#8230; (the stabbing)<\/div>\n<div class=\"subtitol\">The central part of a triptych of customs on gender violence: infidelity at a dance, a stabbing in the home, and an abandoned child. The title, as if it were a tango, alludes to fate, but with moralising connotations.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1407&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Joan Vilatob\u00e0 F\u00edgols.\u00a0<em>Where in Heaven Will I Find You?<\/em>, c. 1904-1905. Tinted bromide paper, 62.5 x 93.5 cm. Sabadell Museum of Art.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Vilatob\u00e0: Where in Heaven Will I Find You?<\/div>\n<div class=\"subtitol\">Pictorialist photographer and spiritualist activist, Joan Vilatob\u00e0 from Sabadell achieved critical success with this work, apparently about the terrible loss of a daughter, but which does not avoid surprising erotic connotations.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1409&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]<em>Beheading of a Woman<\/em>, 18th-19th centuries. Woodcut, 7.5 x 11.5 x 2 cm. Girona Provincial Government Art Collection, Girona Museum of Art. Photo: Rafel Bosch.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Beheading of a Woman<\/div>\n<div class=\"subtitol\">Prior to the industrial revolution, \u201ccordel literature\u201d were the most similar form of communication to the mass media. They were narrative poems recited or sung by a person, often blind, and sold in printed folds topped by a woodcut engraving. Many of the subjects involved blood and guts.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]<\/div><\/div>\t\t\t<script type=\"text\/javascript\">\n\t\t\t\tjQuery(document).ready(function ($) {\n\t\t\t\t\tif( typeof jQuery('.ult-carousel-321783337369deefc40b820').slick == \"function\"){\n\t\t\t\t\t\t$('.ult-carousel-321783337369deefc40b820').slick({dots: false,autoplay: true,autoplaySpeed: \"5000\",speed: \"300\",infinite: true,arrows: true,nextArrow: '<button type=\"button\" role=\"button\" aria-label=\"Next\" style=\"color:#333333; font-size:45px;\" class=\"slick-next default\"><i class=\"ultsl-arrow-right4\"><\/i><\/button>',prevArrow: '<button type=\"button\" role=\"button\" aria-label=\"Previous\" style=\"color:#333333; font-size:45px;\" class=\"slick-prev default\"><i class=\"ultsl-arrow-left4\"><\/i><\/button>',slidesToScroll:1,slidesToShow:1,swipe: true,draggable: true,touchMove: true,pauseOnHover: true,pauseOnFocus: false,responsive: [\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1026,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1,  \n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1025,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 760,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t}\n\t\t\t\t\t\t],pauseOnDotsHover: true,customPaging: function(slider, i) {\n                   return '<i type=\"button\" style= \"color:#333333;\" class=\"ultsl-record\" data-role=\"none\"><\/i>';\n                },});\n\t\t\t\t\t}\n\t\t\t\t});\n\t\t\t<\/script>\n\t\t\t[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;right&#8221; css_animation=&#8221;&#8221;][vc_column_inner]<a  itemprop=\"url\" href=\"https:\/\/xarxa.museunacional.cat\/en\/1000-maneres-de-moriren-un-museu-dart\/#menu\" target=\"_self\" data-hover-background-color='#ffffff' data-hover-color='#000000' class=\"qbutton  enlarge\" style=\"color: #000000; \">Men\u00fa<i class=\"qode_icon_font_awesome fa fa-arrow-circle-o-up qode_button_icon_element\" style=\"color: #000000;\" ><\/i><\/a>[\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;102px&#8221;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;element_from_left&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;yes&#8221; angled_section_position=&#8221;top&#8221; angled_section_direction=&#8221;from_right_to_left&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; background_color=&#8221;#000000&#8243; el_id=&#8221;desitjant&#8221; css=&#8221;.vc_custom_1687419634327{padding-right: 10px !important;padding-left: 10px !important;}&#8221;][vc_column][vc_empty_space height=&#8221;92px&#8221;][vc_column_text]<\/p>\n<h2 class=\"second-title\" style=\"text-align: center;\"><span style=\"color: #ffffff;\">Desiring<\/span><\/h2>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;18px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4 style=\"text-align: center;\"><span style=\"color: #ffffff;\">The twinning of desire and death became fashionable in Europe during Romanticism. Giacomo Leopardi wrote: &#8220;Fratelli, a un tempo stesso, Amore e Morte \/ Ingener\u00f2 la sorte&#8221; (Brothers, at the same time, Love and Death \/ were engendered by destiny). Later, Freud theorised about the two great human desires: that which leads to death and that which drives life, including sexuality.<\/span><\/h4>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;72px&#8221;]<div id=\"ult-carousel-380209630969deefc40b937\" class=\"ult-carousel-wrapper  comi ult_horizontal\" data-gutter=\"15\" data-rtl=\"false\" ><div class=\"ult-carousel-272569756469deefc40b921 \" >[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1415&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]<span style=\"color: #ffffff;\">Francisco Pradilla y Ortiz.\u00a0<em>Do\u00f1a Juana la Loca (sketch)<\/em>, 1877. Oil on canvas, 38.6 x 59.1 cm. MORERA. Museu d\u2019Art Modern i Contemporani de Lleida collection<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titolb\">Pradilla: Do\u00f1a Juana la Loca (sketch)<\/div>\n<div class=\"subtitolb\">\n<p>Queen Joan of Castile went mad after the sudden death in 1506 of her husband, Philip of Habsburg. Between Burgos, where he died, and Granada, where he was to be buried, the entourage only travelled at night. She never left the coffin and at every stop she kissed her dead husband\u2019s feet.<\/p>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1418&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]<span style=\"color: #ffffff;\">Ismael Smith.\u00a0<em>Salom\u00e9 dancing<\/em>, Nova York, 17\/12\/1924. Pencil and ink on paper, 44 x 35 cm. Donated by Enrique Garc\u00eda-Herr\u00e1iz in memory of Paco Smith. Cerdanyola Museum of Art.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titolb\">Smith: Salom\u00e9 dancing<\/div>\n<div class=\"subtitolb\">Lethal birthday. As an act of revenge explained in the Synoptic Gospels, transformed by Oscar Wilde into a delusion of eroticism and death, Salome ends up kissing the decapitated face of John the Baptist. Freud related decapitation to castration. And Smith erases Salome&#8217;s genitals.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1416&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]<span style=\"color: #ffffff;\">Joan Rabascall.\u00a0<em>Atomic Kiss<\/em>, 1968. Acrylic on canvas, 162 x 97 cm. MACBA Collection. On loan from Barcelona City Council. \u00a9 Joan Rabascall, VEGAP, Barcelona. MACBA, Barcelona.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titolb\">Rabascall: Atomic Kiss<\/div>\n<div class=\"subtitolb\">To understand this update of the kiss of death, you need to be at least a \u201cboomer\u201d. Only those who lived through the half a century of the &#8220;balance of terror&#8221; between the confronting blocs led by the United States of America and the Soviet Union, can understand this apocalyptic anguish.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1417&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]<span style=\"color: #ffffff;\">Nazario.\u00a0<em>Turandot<\/em>, 1992. Ink and gouache on paper, 44 x 35 cm. Generalitat of Catalonia National Art Collection, Cerdanyola Museum of Art.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titolb\">Nazario: Turandot<\/div>\n<div class=\"subtitolb\">Illustration for the comic Turandot based on the eponymous opera by Puccini. Any man wishing to marry the Chinese princess Turandot has to answer three riddles posed by her. If he fails, he will be beheaded. The first victim is a Persian prince.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]<\/div><\/div>\t\t\t<script type=\"text\/javascript\">\n\t\t\t\tjQuery(document).ready(function ($) {\n\t\t\t\t\tif( typeof jQuery('.ult-carousel-272569756469deefc40b921').slick == \"function\"){\n\t\t\t\t\t\t$('.ult-carousel-272569756469deefc40b921').slick({dots: false,autoplay: true,autoplaySpeed: \"5000\",speed: \"300\",infinite: true,arrows: true,nextArrow: '<button type=\"button\" role=\"button\" aria-label=\"Next\" style=\"color:#ffffff; font-size:45px;\" class=\"slick-next default\"><i class=\"ultsl-arrow-right4\"><\/i><\/button>',prevArrow: '<button type=\"button\" role=\"button\" aria-label=\"Previous\" style=\"color:#ffffff; font-size:45px;\" class=\"slick-prev default\"><i class=\"ultsl-arrow-left4\"><\/i><\/button>',slidesToScroll:1,slidesToShow:1,swipe: true,draggable: true,touchMove: true,pauseOnHover: true,pauseOnFocus: false,responsive: [\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1026,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1,  \n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1025,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 760,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t}\n\t\t\t\t\t\t],pauseOnDotsHover: true,customPaging: function(slider, i) {\n                   return '<i type=\"button\" style= \"color:#333333;\" class=\"ultsl-record\" data-role=\"none\"><\/i>';\n                },});\n\t\t\t\t\t}\n\t\t\t\t});\n\t\t\t<\/script>\n\t\t\t[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;right&#8221; css_animation=&#8221;&#8221;][vc_column_inner]<a  itemprop=\"url\" href=\"https:\/\/xarxa.museunacional.cat\/en\/1000-maneres-de-moriren-un-museu-dart\/#menu\" target=\"_self\" data-hover-background-color='#000000' data-hover-border-color='#ffffff' data-hover-color='#ffffff' class=\"qbutton  enlarge\" style=\"color: #ffffff; border-color: #ffffff; \">Men\u00fa<i class=\"qode_icon_font_awesome fa fa-arrow-circle-o-up qode_button_icon_element\" style=\"color: #ffffff;\" ><\/i><\/a>[vc_empty_space height=&#8221;72px&#8221;][vc_empty_space height=&#8221;72px&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css_animation=&#8221;element_from_right&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;yes&#8221; angled_section_position=&#8221;top&#8221; angled_section_direction=&#8221;from_left_to_right&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; el_id=&#8221;memorablement&#8221; z_index=&#8221;&#8221; background_color=&#8221;#ffffff&#8221; css=&#8221;.vc_custom_1687425774864{padding-right: 10px !important;padding-left: 10px !important;}&#8221;][vc_column][vc_empty_space height=&#8221;72px&#8221;][vc_column_text]<\/p>\n<h2 class=\"second-title\" style=\"text-align: center;\">Memorably<\/h2>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;18px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4 style=\"text-align: center;\">Some deaths are particularly famous. Most are myths, legends and religious milestones. One of the consequences of death may be oblivion, but in these cases the narrative is so powerful that it has endured for millennia.<\/h4>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;72px&#8221;]<div id=\"ult-carousel-3560331669deefc40ba24\" class=\"ult-carousel-wrapper  comi ult_horizontal\" data-gutter=\"15\" data-rtl=\"false\" ><div class=\"ult-carousel-310635067569deefc40ba0e \" >[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1424&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Joan Massanet Juli.\u00a0<em>Pantocrator<\/em>, 1929. Painting on board, 39 x 49 cm. Museum of L\u2019Empord\u00e0, Figueres.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Massanet: Pantocr\u00e0tor<\/div>\n<div class=\"subtitol\">With a misleading title \u2013 there is no Pantocrator \u2013 this composition evokes a storehouse of crucifixes and mannequins in an avant-garde style synthesising De Chirico&#8217;s metaphysics and surrealism. The death of Jesus, through mediaeval fragments that do not spare the blood.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1425&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Llu\u00eds Borrass\u00e0.\u00a0<em>Panel of \u201cThe Slaughter of the Innocent\u201d<\/em>, from the Franciscan altarpiece of the old convent of Santa Clara in Vic, 1414-1415. Tempera painting on wood, 130 x 128 cm. Episcopal Museum of Vic.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_empty_space][vc_column_text]<\/p>\n<div class=\"titol\">Borrass\u00e0: Panel of \u201cThe Slaughter of the Innocent\u201d<\/div>\n<div class=\"subtitol\">According to Matthew 2:16, King Herod, having been told by the Magi that the birth of Jesus could pose a threat, \u201cgave orders to kill all male children aged two and under in Bethlehem and all its territory\u201d. The placidity on the faces of the victims contrasts with the abundant blood.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1426&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Josep Gin\u00e9s.\u00a0<em>The Innocent Saints<\/em>, Polychrome carving, 26.5 x 24 x 21 cm. Frederic Mar\u00e8s Museum, Barcelona.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Gin\u00e9s: The Innocent Saints<\/div>\n<div class=\"subtitol\">An especially violent and unusual version of the Massacre of the Innocents, in which the mothers, empowered and angry, respond with all their might to the assassins sent by King Herod. Part of a series of explicit sculptures on the same subject.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1427&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Francesc Sans Cabot.\u00a0<em>Prometheus<\/em>, 1858. Oil on canvas, 162 x 162 cm. MORERA. Museu d\u2019Art Modern i Contemporani de Lleida collection.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Sans Cabot: Prometheus<\/div>\n<div class=\"subtitol\">Having stolen the fire from Zeus and handed it over to the mortals, the Titan Prometheus was chained to a mountain. Every day, an eagle ate his liver&#8230; but, given his immortal status, he regenerated every night. And so eternity would have passed if Heracles had not set him free.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]<\/div><\/div>\t\t\t<script type=\"text\/javascript\">\n\t\t\t\tjQuery(document).ready(function ($) {\n\t\t\t\t\tif( typeof jQuery('.ult-carousel-310635067569deefc40ba0e').slick == \"function\"){\n\t\t\t\t\t\t$('.ult-carousel-310635067569deefc40ba0e').slick({dots: false,autoplay: true,autoplaySpeed: \"5000\",speed: \"300\",infinite: true,arrows: true,nextArrow: '<button type=\"button\" role=\"button\" aria-label=\"Next\" style=\"color:#333333; font-size:45px;\" class=\"slick-next default\"><i class=\"ultsl-arrow-right4\"><\/i><\/button>',prevArrow: '<button type=\"button\" role=\"button\" aria-label=\"Previous\" style=\"color:#333333; font-size:45px;\" class=\"slick-prev default\"><i class=\"ultsl-arrow-left4\"><\/i><\/button>',slidesToScroll:1,slidesToShow:1,swipe: true,draggable: true,touchMove: true,pauseOnHover: true,pauseOnFocus: false,responsive: [\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1026,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1,  \n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1025,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 760,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t}\n\t\t\t\t\t\t],pauseOnDotsHover: true,customPaging: function(slider, i) {\n                   return '<i type=\"button\" style= \"color:#333333;\" class=\"ultsl-record\" data-role=\"none\"><\/i>';\n                },});\n\t\t\t\t\t}\n\t\t\t\t});\n\t\t\t<\/script>\n\t\t\t[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;right&#8221; css_animation=&#8221;&#8221;][vc_column_inner]<a  itemprop=\"url\" href=\"https:\/\/xarxa.museunacional.cat\/en\/1000-maneres-de-moriren-un-museu-dart\/#menu\" target=\"_self\" data-hover-background-color='#ffffff' data-hover-color='#000000' class=\"qbutton  enlarge\" style=\"color: #000000; \">Men\u00fa<i class=\"qode_icon_font_awesome fa fa-arrow-circle-o-up qode_button_icon_element\" style=\"color: #000000;\" ><\/i><\/a>[\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;102px&#8221;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;element_from_left&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;yes&#8221; angled_section_position=&#8221;top&#8221; angled_section_direction=&#8221;from_right_to_left&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; background_color=&#8221;#007882&#8243; anchor=&#8221;dramatisme&#8221; el_id=&#8221;llit&#8221; css=&#8221;.vc_custom_1687425812530{padding-right: 10px !important;padding-left: 10px !important;}&#8221;][vc_column][vc_empty_space height=&#8221;72px&#8221;][vc_column_text]<\/p>\n<h2 class=\"second-title\" style=\"text-align: center;\"><span style=\"color: #ffffff;\">In bed<\/span><\/h2>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;18px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4 style=\"text-align: center;\"><span style=\"color: #ffffff;\">A bed is not just a piece of furniture to sleep on, it is also a place to be born, to die, to reproduce&#8230; and to recover from an ailment. Many creators have discovered their vocation during childhood or adolescence after a long illness that forced them to stay in bed.<\/span><\/h4>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;72px&#8221;]<div id=\"ult-carousel-294817834969deefc40bb06\" class=\"ult-carousel-wrapper  comi ult_horizontal\" data-gutter=\"15\" data-rtl=\"false\" ><div class=\"ult-carousel-395606203069deefc40baf0 \" >[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_empty_space height=&#8221;40px&#8221;][vc_single_image image=&#8221;1430&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_column_text]<span style=\"color: #ffffff;\">Santiago Rusi\u00f1ol i Prats.\u00a0<em>Ramon Canudas, Ill in Bed<\/em>, 1892. Oil on canvas, 16.5 x 25.8 cm. Cau Ferrat Museum, Sitges Heritage Consortium.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titolb\">Rusi\u00f1ol: Ramon Canudas, Ill in Bed<\/div>\n<div class=\"subtitolb\">The engraver Ramon Canudas was one of Santiago Rusi\u00f1ol&#8217;s best friends. When Canudas fell ill with tuberculosis, he settled in Sitges. There, sentenced by his illness, Rusi\u00f1ol painted his portrait. The expression on his face shows a man who has accepted his destiny.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_empty_space height=&#8221;60px&#8221;][vc_single_image image=&#8221;1431&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_column_text]<span style=\"color: #ffffff;\">Antoni T\u00e0pies.\u00a0<em>Rinzen (Sudden Awakening)<\/em>, 1992-1993. Various materials, various sizes. MACBA Collection. MACBA Foundation. Donation from the Repsol Foundation. \u00a9 Comissi\u00f3 T\u00e0pies, VEGAP, Barcelona. MACBA, Barcelona. Photo: FotoGasull.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titolb\">T\u00e0pies: Rinzen (Sudden Awakening)<\/div>\n<div class=\"subtitolb\">While recovering from a wasting lung disease at the age of 18, T\u00e0pies rethought his life and discovered his artistic vocation. This enlarged bed on the wall and the chairs that accompany it on the outside invite us to a thought without immovable certainties, where nothing is definitive.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]<\/div><\/div>\t\t\t<script type=\"text\/javascript\">\n\t\t\t\tjQuery(document).ready(function ($) {\n\t\t\t\t\tif( typeof jQuery('.ult-carousel-395606203069deefc40baf0').slick == \"function\"){\n\t\t\t\t\t\t$('.ult-carousel-395606203069deefc40baf0').slick({dots: false,autoplay: true,autoplaySpeed: \"5000\",speed: \"300\",infinite: true,arrows: true,nextArrow: '<button type=\"button\" role=\"button\" aria-label=\"Next\" style=\"color:#ffffff; font-size:45px;\" class=\"slick-next default\"><i class=\"ultsl-arrow-right4\"><\/i><\/button>',prevArrow: '<button type=\"button\" role=\"button\" aria-label=\"Previous\" style=\"color:#ffffff; font-size:45px;\" class=\"slick-prev default\"><i class=\"ultsl-arrow-left4\"><\/i><\/button>',slidesToScroll:1,slidesToShow:1,swipe: true,draggable: true,touchMove: true,pauseOnHover: true,pauseOnFocus: false,responsive: [\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1026,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1,  \n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1025,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 760,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t}\n\t\t\t\t\t\t],pauseOnDotsHover: true,customPaging: function(slider, i) {\n                   return '<i type=\"button\" style= \"color:#333333;\" class=\"ultsl-record\" data-role=\"none\"><\/i>';\n                },});\n\t\t\t\t\t}\n\t\t\t\t});\n\t\t\t<\/script>\n\t\t\t[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;right&#8221; css_animation=&#8221;&#8221;][vc_column_inner]<a  itemprop=\"url\" href=\"https:\/\/xarxa.museunacional.cat\/1000-maneres-de-moriren-un-museu-dart\/#menu\" target=\"_self\" data-hover-background-color='#ffffff' data-hover-color='#000000' class=\"qbutton  enlarge\" style=\"color: #000000; \">Men\u00fa<i class=\"qode_icon_font_awesome fa fa-arrow-circle-o-up qode_button_icon_element\" style=\"color: #000000;\" ><\/i><\/a>[\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;102px&#8221;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;element_from_right&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;yes&#8221; angled_section_position=&#8221;top&#8221; angled_section_direction=&#8221;from_left_to_right&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; background_color=&#8221;#e2e2e2&#8243; el_id=&#8221;motu&#8221; css=&#8221;.vc_custom_1687425838379{padding-right: 10px !important;padding-left: 10px !important;}&#8221;][vc_column][vc_empty_space height=&#8221;92px&#8221;][vc_column_text]<\/p>\n<h2 class=\"second-title\" style=\"text-align: center;\">Motu proprio<\/h2>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;18px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4 style=\"text-align: center;\">In ancient classical culture, suicide was often a mechanism for preserving honour and possessions. With the spread of Christianity, the depiction of this practice was largely ignored until Romanticism, when artists once again turned to the subject and even the practice.<\/h4>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;72px&#8221;]<div id=\"ult-carousel-41544142769deefc40bbfe\" class=\"ult-carousel-wrapper  vc_custom_1687419736604 comi ult_horizontal\" data-gutter=\"15\" data-rtl=\"false\" ><div class=\"ult-carousel-37091470869deefc40bbe6 \" >[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1434&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Dami\u00e0 Campeny.\u00a0<em>Lucretia<\/em>, 1803. Bronze, 131.4 x 66.7 x 130.6 cm. National Art Museum of Catalonia, Barcelona.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Campeny: Lucretia<\/div>\n<div class=\"subtitol\">Lucretia, a Roman noblewoman, was raped by Sextus Tarquinius, son of the last king of Rome. He then gathered his family, told them what had happened and, out of honour, committed suicide. Popular indignation caused the king to flee, which led to the establishment of the Republic.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1435&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Decombaz.\u00a0<em>Pocket Watch<\/em>. Ginebra, 1780-1820. Copper alloy, engraved and gilded, enamel, steel and glass, 8.9 x 6.5 x 2.4 cm. Barcelona Museum of Design.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Decombaz: Pocket Watch<\/div>\n<div class=\"subtitol\">The most famous suicide of all time was Cleopatra, Pharaoh of Egypt. Married to Mark Antony, she declared war on Octavian&#8217;s Rome. Not wishing to be displayed as a trophy on the streets of Rome, she committed suicide. She is depicted being bitten by a viper near her heart.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1436&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Jos\u00e9 Garnelo.\u00a0<em>Suicide for Love<\/em>. 1891-1892. Oil on canvas, 132 x 180 cm. V\u00edctor Balaguer Library-Museum, Vilanova i la Geltr\u00fa.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Garnelo: Suicide for Love<\/div>\n<div class=\"subtitol\">Intense scenic painting with the suicide victim on the floor, in front of the bed; a picture of the loved one on the table, and the relatives, saddened and perhaps ashamed, reading the farewell letter. The fact that the deceased is a woman may indicate a desperate act to avoid dishonour.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]<\/div><\/div>\t\t\t<script type=\"text\/javascript\">\n\t\t\t\tjQuery(document).ready(function ($) {\n\t\t\t\t\tif( typeof jQuery('.ult-carousel-37091470869deefc40bbe6').slick == \"function\"){\n\t\t\t\t\t\t$('.ult-carousel-37091470869deefc40bbe6').slick({dots: false,autoplay: true,autoplaySpeed: \"5000\",speed: \"300\",infinite: true,arrows: true,nextArrow: '<button type=\"button\" role=\"button\" aria-label=\"Next\" style=\"color:#333333; font-size:45px;\" class=\"slick-next default\"><i class=\"ultsl-arrow-right4\"><\/i><\/button>',prevArrow: '<button type=\"button\" role=\"button\" aria-label=\"Previous\" style=\"color:#333333; font-size:45px;\" class=\"slick-prev default\"><i class=\"ultsl-arrow-left4\"><\/i><\/button>',slidesToScroll:1,slidesToShow:1,swipe: true,draggable: true,touchMove: true,pauseOnHover: true,pauseOnFocus: false,responsive: [\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1026,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1,  \n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1025,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 760,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t}\n\t\t\t\t\t\t],pauseOnDotsHover: true,customPaging: function(slider, i) {\n                   return '<i type=\"button\" style= \"color:#333333;\" class=\"ultsl-record\" data-role=\"none\"><\/i>';\n                },});\n\t\t\t\t\t}\n\t\t\t\t});\n\t\t\t<\/script>\n\t\t\t[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;right&#8221; css_animation=&#8221;&#8221;][vc_column_inner]<a  itemprop=\"url\" href=\"https:\/\/xarxa.museunacional.cat\/en\/1000-maneres-de-moriren-un-museu-dart\/#menu\" target=\"_self\" data-hover-background-color='#ffffff' data-hover-color='#000000' class=\"qbutton  enlarge\" style=\"color: #000000; \">Men\u00fa<i class=\"qode_icon_font_awesome fa fa-arrow-circle-o-up qode_button_icon_element\" style=\"color: #000000;\" ><\/i><\/a>[vc_empty_space height=&#8221;72px&#8221;][vc_empty_space height=&#8221;72px&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css_animation=&#8221;element_from_left&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;yes&#8221; angled_section_position=&#8221;top&#8221; angled_section_direction=&#8221;from_right_to_left&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; background_color=&#8221;#000000&#8243; el_id=&#8221;natures&#8221;][vc_column][vc_empty_space height=&#8221;92px&#8221;][vc_column_text]<\/p>\n<h2 class=\"second-title\" style=\"text-align: center;\"><span style=\"color: #ffffff;\">Very Still Lifes<\/span><\/h2>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;18px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4 style=\"text-align: center;\"><span style=\"color: #ffffff;\">Before the emergence of the various photographic techniques and their common use, people had very few ways of preserving the image of their loved ones once they were no longer with them. Whenever possible, an urgent portrait was drawn or painted.<\/span><\/h4>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;72px&#8221;]<div id=\"ult-carousel-202619119969deefc40bcd9\" class=\"ult-carousel-wrapper  comi ult_horizontal\" data-gutter=\"15\" data-rtl=\"false\" ><div class=\"ult-carousel-267498343469deefc40bcc3 \" >[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1439&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]<span style=\"color: #ffffff;\">Francesc Galofr\u00e9 Oller. Dead Child, 1893. Oil on canvas, 37,3 x 53,9 cm. Valls Museum. On loan from Jesus Saumell Zafra, prince of Achaea.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titolb\">Galofr\u00e9 Oller: Dead Child<\/div>\n<div class=\"subtitolb\">In addition to genre, religious and historical paintings, Galofr\u00e9 Oller painted numerous portraits. Infant mortality was very high well into the twentieth century. But what motivated him to portray this dead girl and not use her face to recreate her alive?<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1440&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]<span style=\"color: #ffffff;\">Francesc Masriera Manovens.\u00a0<em>Portrait of the Deceased Elisa Masriera Manovens<\/em>. 1883. Oil on canvas, 38 x 72 cm. Museum of L\u2019Empord\u00e0, Figueres.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titolb\">Masriera: Portrait of the Deceased Elisa Masriera Manovens<\/div>\n<div class=\"subtitolb\">Francesc Masriera painted an urgent portrait of his dead sister by candlelight. The obligatory white flowers indicate purity. The pallor of her face contrasts with her half-open eyes, slight smile and a butterfly, symbol of vital metamorphosis.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1441&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]<span style=\"color: #ffffff;\">Postmortem Portrait of a Girl. 1845-1860. Daguerreotype, 9.5 x 8.2 x 2 cm. Frederic Mar\u00e8s Museum, Barcelona.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titolb\">Postmortem Portrait of a Girl<\/div>\n<div class=\"subtitolb\">\n<p>With the obligatory whiteness as a symbol of purity in cases of child death, the daguerreotype would replace the painting as an urgent reminder of a deceased person. With the growth of photography, people would have many opportunities to accumulate images and be remembered.<\/p>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]<\/div><\/div>\t\t\t<script type=\"text\/javascript\">\n\t\t\t\tjQuery(document).ready(function ($) {\n\t\t\t\t\tif( typeof jQuery('.ult-carousel-267498343469deefc40bcc3').slick == \"function\"){\n\t\t\t\t\t\t$('.ult-carousel-267498343469deefc40bcc3').slick({dots: false,autoplay: true,autoplaySpeed: \"5000\",speed: \"300\",infinite: true,arrows: true,nextArrow: '<button type=\"button\" role=\"button\" aria-label=\"Next\" style=\"color:#ffffff; font-size:45px;\" class=\"slick-next default\"><i class=\"ultsl-arrow-right4\"><\/i><\/button>',prevArrow: '<button type=\"button\" role=\"button\" aria-label=\"Previous\" style=\"color:#ffffff; font-size:45px;\" class=\"slick-prev default\"><i class=\"ultsl-arrow-left4\"><\/i><\/button>',slidesToScroll:1,slidesToShow:1,swipe: true,draggable: true,touchMove: true,pauseOnHover: true,pauseOnFocus: false,responsive: [\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1026,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1,  \n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1025,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 760,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t}\n\t\t\t\t\t\t],pauseOnDotsHover: true,customPaging: function(slider, i) {\n                   return '<i type=\"button\" style= \"color:#333333;\" class=\"ultsl-record\" data-role=\"none\"><\/i>';\n                },});\n\t\t\t\t\t}\n\t\t\t\t});\n\t\t\t<\/script>\n\t\t\t[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;right&#8221; css_animation=&#8221;&#8221;][vc_column_inner]<a  itemprop=\"url\" href=\"https:\/\/xarxa.museunacional.cat\/1000-maneres-de-moriren-un-museu-dart\/#menu\" target=\"_self\" data-hover-background-color='#000000' data-hover-border-color='#ffffff' data-hover-color='#ffffff' class=\"qbutton  enlarge\" style=\"color: #ffffff; border-color: #ffffff; \">Men\u00fa<i class=\"qode_icon_font_awesome fa fa-arrow-circle-o-up qode_button_icon_element\" style=\"color: #ffffff;\" ><\/i><\/a>[vc_empty_space height=&#8221;72px&#8221;][vc_empty_space height=&#8221;72px&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css_animation=&#8221;element_from_right&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;yes&#8221; angled_section_position=&#8221;top&#8221; angled_section_direction=&#8221;from_left_to_right&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; background_color=&#8221;#ffffff&#8221; el_id=&#8221;topografies&#8221; css=&#8221;.vc_custom_1687425865846{padding-right: 10px !important;padding-left: 10px !important;}&#8221;][vc_column][vc_empty_space height=&#8221;72px&#8221;][vc_column_text]<\/p>\n<h2 class=\"second-title\" style=\"text-align: center;\">Topographies of memory<\/h2>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;18px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4 style=\"text-align: center;\">Another technique for preserving the memory of the deceased was to make a mask of their face before burying them. In Latin persona is the name given to actors\u2019 masks and is the origin of the word \u201cpersonality\u201d. The death mask seeks to preserve the exceptionality of an individual who is no longer with us, to summarise an essence in a face.<\/h4>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;72px&#8221;]<div id=\"ult-carousel-13460851069deefc40bdab\" class=\"ult-carousel-wrapper  comi ult_horizontal\" data-gutter=\"15\" data-rtl=\"false\" ><div class=\"ult-carousel-2412968669deefc40bd95 \" >[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1443&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]<em>The Unknown Woman of the Seine<\/em>, c. 1890-1894. Tinted plaster, 31.2 x 21.6 x 16.2 cm. Cau Ferrat Museum, Sitges Heritage Consortium.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">The Unknown Woman of the Seine<\/div>\n<div class=\"subtitol\">The death mask of the most famous unknown victim in history, a girl who is said to have drowned in the Seine. Its deathly beauty caused great interest among artists. Rusi\u00f1ol had a copy. It is also the face on cardiopulmonary resuscitation mannequins.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1444&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Pablo Gargallo.\u00a0<em>The Mask of Isidre Nonell<\/em>. 1911. Bronze, 24 x 16 x 12.5 cm. National Art Museum of Catalonia, Barcelona.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Gargallo: The Mask of Isidre Nonell<\/div>\n<div class=\"subtitol\">The number of mortuary masks of artists preserved in the museums of Catalonia is astonishing. In this case, of particular note is the creator, the sculptor Pau Gargallo, and the fact that Nonell died of typhus just after gaining long-denied artistic recognition.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;5982&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Joan Matamala i Flotats. M\u00e0scara mortu\u00f2ria d&#8217;Antoni Gaud\u00ed. 1926. Metall i pedra, 30 x 12 x 24 cm. Museu de Reus.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Matamala: Death Mask of Antoni Gaud\u00ed<\/div>\n<div class=\"subtitol\">Antoni Gaud\u00ed was knocked over by a tram on 7 June 1926. He died three days later in the Hospital de la Santa Creu. Between tears, the young sculptor Joan Matamala made his death mask. Matamala completed the Fa\u00e7ade of the Nativity in the Sagrada Fam\u00edlia in 1934.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]<\/div><\/div>\t\t\t<script type=\"text\/javascript\">\n\t\t\t\tjQuery(document).ready(function ($) {\n\t\t\t\t\tif( typeof jQuery('.ult-carousel-2412968669deefc40bd95').slick == \"function\"){\n\t\t\t\t\t\t$('.ult-carousel-2412968669deefc40bd95').slick({dots: false,autoplay: true,autoplaySpeed: \"5000\",speed: \"300\",infinite: true,arrows: true,nextArrow: '<button type=\"button\" role=\"button\" aria-label=\"Next\" style=\"color:#333333; font-size:45px;\" class=\"slick-next default\"><i class=\"ultsl-arrow-right4\"><\/i><\/button>',prevArrow: '<button type=\"button\" role=\"button\" aria-label=\"Previous\" style=\"color:#333333; font-size:45px;\" class=\"slick-prev default\"><i class=\"ultsl-arrow-left4\"><\/i><\/button>',slidesToScroll:1,slidesToShow:1,swipe: true,draggable: true,touchMove: true,pauseOnHover: true,pauseOnFocus: false,responsive: [\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1026,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1,  \n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1025,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 760,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t}\n\t\t\t\t\t\t],pauseOnDotsHover: true,customPaging: function(slider, i) {\n                   return '<i type=\"button\" style= \"color:#333333;\" class=\"ultsl-record\" data-role=\"none\"><\/i>';\n                },});\n\t\t\t\t\t}\n\t\t\t\t});\n\t\t\t<\/script>\n\t\t\t[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;right&#8221; css_animation=&#8221;&#8221;][vc_column_inner]<a  itemprop=\"url\" href=\"https:\/\/xarxa.museunacional.cat\/en\/1000-maneres-de-moriren-un-museu-dart\/#menu\" target=\"_self\" data-hover-background-color='#ffffff' data-hover-color='#000000' class=\"qbutton  enlarge\" style=\"color: #000000; \">Men\u00fa<i class=\"qode_icon_font_awesome fa fa-arrow-circle-o-up qode_button_icon_element\" style=\"color: #000000;\" ><\/i><\/a>[\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;102px&#8221;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;element_from_left&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;yes&#8221; angled_section_position=&#8221;top&#8221; angled_section_direction=&#8221;from_right_to_left&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; background_color=&#8221;#007882&#8243; anchor=&#8221;dramatisme&#8221; el_id=&#8221;cementiri&#8221; css=&#8221;.vc_custom_1687425900454{padding-right: 10px !important;padding-left: 10px !important;}&#8221;][vc_column][vc_empty_space height=&#8221;72px&#8221;][vc_column_text]<\/p>\n<h2 class=\"second-title\" style=\"text-align: center;\">The Cemetery of Art<\/h2>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;18px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4 style=\"text-align: center;\">Museums are sometimes cemeteries in a literal sense, as they house fragments of the dead enclosed in reliquaries, as well as whole corpses, even if they are mummified. In a more symbolic sense, a museum is a mausoleum of artistic legacies. Nevertheless, the canon favoured by museum collections conditions the freedom of contemporary creativity, which is why the futurist Marinetti advocated their destruction.<\/h4>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;72px&#8221;]<div id=\"ult-carousel-60965982669deefc40be79\" class=\"ult-carousel-wrapper  comi ult_horizontal\" data-gutter=\"15\" data-rtl=\"false\" ><div class=\"ult-carousel-144295887069deefc40be63 \" >[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1448&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]<em>The Mummy Nesi<\/em>, c. 656-567 BC. Mummified body bandaged in fabric decorated with polychrome cardboard paste panels with hieroglyphics and mythological scenes, 83 x 19 x 15.5 cm. V\u00edctor Balaguer Library-Museum, Vilanova i la Geltr\u00fa.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">The Mummy Nesi<\/div>\n<div class=\"subtitol\">Eduard Toda, Catalonia\u2019s Indiana Jones, donated the only Egyptian mummy in Catalonia to the V\u00edctor Balaguer Museum. Nesi is the mummified body of a child of undetermined sex of about five years old. It carries, inscribed, a protection of the goddess Nut and an invocation to Osiris.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1449&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Alberto Portella.\u00a0<em>Reliquary Arm of St. Valerius<\/em>. c. 1625. Cast and embossed silver arm with a wooden stand. Arm: 63 cm; hand: 19 cm; sleeve: 41 cm; stand: 20 cm. Lleida Diocesan and County Museum. \u00a9 Museu de Lleida.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Portella: Reliquary Arm of St. Valerius<\/div>\n<div class=\"subtitol\">This silver arm from Roda de Is\u00e1bena (Huesca) contains a whole forearm bone bearing a sign with the name of Saint Valerius. The remains of this bishop were believed to have arrived in Roda in 1050. They were eventually shared with Zaragoza.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1450&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Hortensi G\u00fcell i G\u00fcell.\u00a0<em>Cemetery at Dusk<\/em>. 1892. Oil on canvas, 40.5 x 65.5 cm. Museum of Reus.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">G\u00fcell: Cemetery at Dusk<\/div>\n<div class=\"subtitol\">\n<p>Landscape painter and writer, Hortensi G\u00fcell was a follower of Modest Urgell\u2019s late Romantic style and his melancholy cemeteries at dusk. Due to a love disappointment, G\u00fcell decided to end his life by throwing himself into the sea.<\/p>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1451&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Santiago Rusi\u00f1ol i Prats.\u00a0<em>Untitled<\/em>. 1915. Earthenware with blue, green and yellow enamel, 3 x 27.7 cm. Cau Ferrat Museum, Sitges Heritage Consortium.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Rusi\u00f1ol: Untitled<\/div>\n<div class=\"subtitol\">Rusi\u00f1ol mocked everything, even death. In this dish, based on the universe of Senyor Esteve, he denounces the hypocrisy of the survivor. \u201cWait for me. You unforgettable Esteve\u201d reads the inscription, which contradicts the look of satisfaction on the widower&#8217;s face. Let her wait&#8230;<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1452&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Christian Boltanski.\u00a0<em>Reserve of the Dead Swiss<\/em>, 1991. Tin boxes, photography in silver salts, cardboard and electric lamps, total dimensions: 288 x 46 x 238 cm; 2380 boxes: 12.1 x 21.8 x 23.3 cm each. MACBA Collection. MACBA Foundation. \u00a9 Christian Boltanski, VEGAP, Barcelona. MACBA, Barcelona. Photo: FotoGasull.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Boltanski: Reserve of the Dead Swiss<\/div>\n<div class=\"subtitol\">The most mundane bureaucracy also deals with death. Boltanski created a private cemetery\/archive based on photographs of the dead taken from the obituary pages of Swiss newspapers. They are normal dead people just like us, which is why they are even more frightening.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]<\/div><\/div>\t\t\t<script type=\"text\/javascript\">\n\t\t\t\tjQuery(document).ready(function ($) {\n\t\t\t\t\tif( typeof jQuery('.ult-carousel-144295887069deefc40be63').slick == \"function\"){\n\t\t\t\t\t\t$('.ult-carousel-144295887069deefc40be63').slick({dots: false,autoplay: true,autoplaySpeed: \"5000\",speed: \"300\",infinite: true,arrows: true,nextArrow: '<button type=\"button\" role=\"button\" aria-label=\"Next\" style=\"color:#333333; font-size:45px;\" class=\"slick-next default\"><i class=\"ultsl-arrow-right4\"><\/i><\/button>',prevArrow: '<button type=\"button\" role=\"button\" aria-label=\"Previous\" style=\"color:#333333; font-size:45px;\" class=\"slick-prev default\"><i class=\"ultsl-arrow-left4\"><\/i><\/button>',slidesToScroll:1,slidesToShow:1,swipe: true,draggable: true,touchMove: true,pauseOnHover: true,pauseOnFocus: false,responsive: [\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1026,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1,  \n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1025,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 760,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t}\n\t\t\t\t\t\t],pauseOnDotsHover: true,customPaging: function(slider, i) {\n                   return '<i type=\"button\" style= \"color:#333333;\" class=\"ultsl-record\" data-role=\"none\"><\/i>';\n                },});\n\t\t\t\t\t}\n\t\t\t\t});\n\t\t\t<\/script>\n\t\t\t[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;right&#8221; css_animation=&#8221;&#8221;][vc_column_inner]<a  itemprop=\"url\" href=\"https:\/\/xarxa.museunacional.cat\/en\/1000-maneres-de-moriren-un-museu-dart\/#menu\" target=\"_self\" data-hover-background-color='#ffffff' data-hover-color='#000000' class=\"qbutton  enlarge\" style=\"color: #000000; \">Men\u00fa<i class=\"qode_icon_font_awesome fa fa-arrow-circle-o-up qode_button_icon_element\" style=\"color: #000000;\" ><\/i><\/a>[\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;102px&#8221;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; css=&#8221;.vc_custom_1687425912544{padding-right: 10px !important;padding-left: 10px !important;}&#8221; z_index=&#8221;&#8221;][vc_column][vc_column_text]<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;element_from_right&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;yes&#8221; angled_section_position=&#8221;top&#8221; angled_section_direction=&#8221;from_left_to_right&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; z_index=&#8221;&#8221; background_color=&#8221;#e2e2e2&#8243; el_id=&#8221;allo&#8221; css=&#8221;.vc_custom_1687425947354{padding-right: 10px !important;padding-left: 10px !important;}&#8221;][vc_column][vc_empty_space height=&#8221;92px&#8221;][vc_column_text]<\/p>\n<h2 class=\"second-title\" style=\"text-align: center;\">Everything that is not dead, but is not alive either&#8230;<\/h2>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;18px&#8221;][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<h4 style=\"text-align: center;\">Can there be life after death? An immaterial existence cannot be described, strictly speaking, as life. So in what words should we describe a life that has crossed the threshold of death? Can an eternal life, free of death, still be called life? What words do not say, perhaps can be read in pictures.<\/h4>\n<p>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=&#8221;72px&#8221;]<div id=\"ult-carousel-293912072769deefc40bf7c\" class=\"ult-carousel-wrapper  comi ult_horizontal\" data-gutter=\"15\" data-rtl=\"false\" ><div class=\"ult-carousel-18723950769deefc40bf64 \" >[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1465&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Jos\u00e9 Mar\u00eda Cao Luaces.\u00a0<em>Get up and smoke (slogan). Cigarrillos Par\u00eds<\/em>,1900. Tempera, watercolour on paper, 122.5 x 88 cm. Museum of La Garrotxa, Olot.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Cao Luaces: Get up and smoke (slogan). Cigarrillos Par\u00eds<\/div>\n<div class=\"subtitol\">\n<p>&#8220;Lazarus, come forth&#8221; (John 11: 43). With this forceful instruction, Jesus resurrected the brother of his friends Martha and Mary. Jos\u00e9 Mar\u00eda Cao makes fun about this famous passage by resurrecting a dead man to whom Jesus offers a Paris brand cigarette.<\/p>\n<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1466&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]Antoni Sol\u00e0.\u00a0<em>Aeneas and the Sibyl of Cumae visit the Styx<\/em>. 1801. Painted plaster, 49 x 80 x 15 cm. Frederic Mar\u00e8s Museum, Barcelona.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Sol\u00e0: Aeneas and the Sibyl of Cumae visit the Styx<\/div>\n<div class=\"subtitol\">According to Virgil\u2019s Aeneid, Aeneas visited the Sibyl of Cumae on the coast of Campania. Together, they descended to the lake of the Styx and journey to Hades in Charon&#8217;s boat, with the aim of visiting the hero&#8217;s recently deceased father.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;1467&#8243; img_size=&#8221;full&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;12px&#8221;][vc_column_text]<em>Wall decoration<\/em>, second half of the 13th century. Fresco painting, 400 x 432.5 x 126 cm. Solsona Diocesan and County Museum.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div class=\"titol\">Wall decoration<\/div>\n<div class=\"subtitol\">The Apocalypse occupies a central position in mediaeval Christian iconography. In the ensemble from Sant Pau de Casserres, the trumpeting angels (four, instead of the obligatory seven) announce Jesus\u2019 return and the resurrection of the dead, prior to the Last Judgment. Fear and hope.<\/div>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner]<\/div><\/div>\t\t\t<script type=\"text\/javascript\">\n\t\t\t\tjQuery(document).ready(function ($) {\n\t\t\t\t\tif( typeof jQuery('.ult-carousel-18723950769deefc40bf64').slick == \"function\"){\n\t\t\t\t\t\t$('.ult-carousel-18723950769deefc40bf64').slick({dots: false,autoplay: true,autoplaySpeed: \"5000\",speed: \"300\",infinite: true,arrows: true,nextArrow: '<button type=\"button\" role=\"button\" aria-label=\"Next\" style=\"color:#333333; font-size:45px;\" class=\"slick-next default\"><i class=\"ultsl-arrow-right4\"><\/i><\/button>',prevArrow: '<button type=\"button\" role=\"button\" aria-label=\"Previous\" style=\"color:#333333; font-size:45px;\" class=\"slick-prev default\"><i class=\"ultsl-arrow-left4\"><\/i><\/button>',slidesToScroll:1,slidesToShow:1,swipe: true,draggable: true,touchMove: true,pauseOnHover: true,pauseOnFocus: false,responsive: [\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1026,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1,  \n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 1025,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t},\n\t\t\t\t\t\t\t{\n\t\t\t\t\t\t\t  breakpoint: 760,\n\t\t\t\t\t\t\t  settings: {\n\t\t\t\t\t\t\t\tslidesToShow: 1,\n\t\t\t\t\t\t\t\tslidesToScroll: 1\n\t\t\t\t\t\t\t  }\n\t\t\t\t\t\t\t}\n\t\t\t\t\t\t],pauseOnDotsHover: true,customPaging: function(slider, i) {\n                   return '<i type=\"button\" style= \"color:#333333;\" class=\"ultsl-record\" data-role=\"none\"><\/i>';\n                },});\n\t\t\t\t\t}\n\t\t\t\t});\n\t\t\t<\/script>\n\t\t\t[vc_row_inner row_type=&#8221;row&#8221; type=&#8221;grid&#8221; text_align=&#8221;right&#8221; css_animation=&#8221;&#8221;][vc_column_inner]<a  itemprop=\"url\" href=\"https:\/\/xarxa.museunacional.cat\/en\/1000-maneres-de-moriren-un-museu-dart\/#menu\" target=\"_self\" data-hover-background-color='#ffffff' data-hover-color='#000000' class=\"qbutton  enlarge\" style=\"color: #000000; \">Men\u00fa<i class=\"qode_icon_font_awesome fa fa-arrow-circle-o-up qode_button_icon_element\" style=\"color: #000000;\" ><\/i><\/a>[vc_empty_space height=&#8221;72px&#8221;][vc_empty_space height=&#8221;72px&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row css_animation=&#8221;element_from_fade&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;yes&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; row_negative_margin=&#8221;disable_negative_margin&#8221; z_index=&#8221;&#8221; background_color=&#8221;#337581&#8243; padding_bottom=&#8221;0&#8243; css=&#8221;.vc_custom_1687419527214{background-image: url(https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2022\/10\/fonsdecapitacio_girona-scaled.jpg?id=1491) !important;}&#8221; el_class=&#8221;museutit&#8221;][vc_column][vc_empty_space height=&#8221;172px&#8221;][vc_column_text css=&#8221;.vc_custom_1687425710226{padding-right: 0px !important;padding-left: px !important;}&#8221;] A thousand ways of dying in an Art Museum [\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1685987998961{padding-left: 5px !important;}&#8221;] Curator: Ricard Mas [\/vc_column_text][vc_empty_space height=&#8221;72px&#8221;][vc_column_text] Congratulations! If you\u2019re reading this&#8230;<\/p>\n","protected":false},"author":1,"featured_media":2510,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"_acf_changed":false,"inline_featured_image":false,"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"class_list":["post-2550","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A thousand ways of dying in an Art Museum - Xarxa de Museus d\u2019Art de Catalunya<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/xarxa.museunacional.cat\/en\/1000-maneres-de-moriren-un-museu-dart\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A thousand ways of dying in an Art Museum - Xarxa de Museus d\u2019Art de Catalunya\" \/>\n<meta property=\"og:description\" content=\"[vc_row css_animation=&#8221;element_from_fade&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;yes&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221; row_negative_margin=&#8221;disable_negative_margin&#8221; z_index=&#8221;&#8221; background_color=&#8221;#337581&#8243; padding_bottom=&#8221;0&#8243; css=&#8221;.vc_custom_1687419527214{background-image: url(https:\/\/xarxa.museunacional.cat\/wp-content\/uploads\/2022\/10\/fonsdecapitacio_girona-scaled.jpg?id=1491) !important;}&#8221; el_class=&#8221;museutit&#8221;][vc_column][vc_empty_space height=&#8221;172px&#8221;][vc_column_text css=&#8221;.vc_custom_1687425710226{padding-right: 0px !important;padding-left: px !important;}&#8221;] A thousand ways of dying in an Art Museum [\/vc_column_text][vc_column_text css=&#8221;.vc_custom_1685987998961{padding-left: 5px !important;}&#8221;] Curator: Ricard Mas [\/vc_column_text][vc_empty_space height=&#8221;72px&#8221;][vc_column_text] Congratulations! 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